American fiction -- 19th century; Short stories, American
On the surface, as I have said, things looked smooth enough. An Austrian
cardinal throned in Milan and an Austrian-hearted Pope ruled in Rome. In
Lombardy, Austria couched like a beast of prey, ready to spring at our
throats if we stirred or struggled. The Moderates, to whose party Count
Roberto belonged, talked of prudence, compromise, the education of the
masses; but if their words were a velvet sheath their thought was a dagger.
For many years, as you know, the Milanese had maintained an outward show of
friendliness with their rulers. The nobles had accepted office under the
vice-roy, and in the past there had been frequent intermarriage between
the two aristocracies. But now, one by one, the great houses had closed
their doors against official society. Though some of the younger and more
careless, those who must dance and dine at any cost, still went to the
palace and sat beside the enemy at the opera, fashion was gradually taking
sides against them, and those who had once been laughed at as old fogeys
were now applauded as patriots. Among these, of course, was Count Roberto,
who for several years had refused to associate with the Austrians, and
had silently resented his easy-going brother’s disregard of political
distinctions. Andrea and Gemma belonged to the moth tribe, who flock to
the brightest light; and Gemma’s Istrian possessions, and her family’s
connection with the Austrian nobility, gave them a pretext for fluttering
about the vice-regal candle. Roberto let them go their way, but his own
course was a tacit protest against their conduct. They were always welcome
at the palazzo Siviano; but he and Donna Marianna withdrew from society in
order to have an excuse for not showing themselves at the Countess Gemma’s
entertainments. If Andrea and Gemma were aware of his disapproval they were
clever enough to ignore it; for the rich elder brother who paid their debts
and never meant to marry was too important a person to be quarrelled with
on political grounds. They seemed to think that if he married it would be
only to spite them; and they were persuaded that their future depended on
their giving him no cause to take such reprisals. I shall never be more
than a plain peasant at heart and I have little natural skill in discerning
hidden motives; but the experience of the confessional gives every priest
a certain insight into the secret springs of action, and I often wondered
that the worldly wisdom of Andrea and Gemma did not help them to a clearer
reading of their brother’s character. For my part I knew that, in Roberto’s
heart, no great passion could spring from a mean motive; and I had always
thought that if he ever loved any woman as he loved Italy, it must be from
his country’s hand that he received his bride. And so it came about.
Public-domain text, read in full here on John Shaqi.
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