American fiction -- 19th century; Short stories, American
Have you ever noticed, on one of those still autumn days before a storm,
how here and there a yellow leaf will suddenly detach itself from the bough
and whirl through the air as though some warning of the gale had reached
it? So it was then in Lombardy. All round was the silence of decay; but now
and then a word, a look, a trivial incident, fluttered ominously through
the stillness. It was in ’45. Only a year earlier the glorious death of the
Bandiera brothers had sent a long shudder through Italy. In the Romagna,
Renzi and his comrades had tried to uphold by action the protest set forth
in the “Manifesto of Rimini”; and their failure had sowed the seed which
d’Azeglio and Cavour were to harvest. Everywhere the forces were silently
gathering; and nowhere was the hush more profound, the least reverberation
more audible, than in the streets of Milan.
It was Count Roberto’s habit to attend early mass in the Cathedral; and one
morning, as he was standing in the aisle, a young girl passed him with her
father. Roberto knew the father, a beggarly Milanese of the noble family of
Intelvi, who had cut himself off from his class by accepting an appointment
in one of the government offices. As the two went by he saw a group of
Austrian officers looking after the girl, and heard one of them say: “Such
a choice morsel as that is too good for slaves;” and another answer with a
laugh: “Yes, it’s a dish for the master’s table!”
The girl heard too. She was as white as a wind-flower and he saw the words
come out on her cheek like the red mark from a blow. She whispered to
her father, but he shook his head and drew her away without so much as
a glance at the Austrians. Roberto heard mass and then hastened out and
placed himself in the porch of the Cathedral. A moment later the officers
appeared, and they too stationed themselves near the doorway. Presently the
girl came out on her father’s arm. Her admirers stepped forward to greet
Intelvi; and the cringing wretch stood there exchanging compliments with
them, while their insolent stare devoured his daughter’s beauty. She,
poor thing, shook like a leaf, and her eyes, in avoiding theirs, suddenly
encountered Roberto’s. Her look was a wounded bird that flew to him for
shelter. He carried it away in his breast and its live warmth beat against
his heart. He thought that Italy had looked at him through those eyes; for
love is the wiliest of masqueraders and has a thousand disguises at his
command.
Public-domain text, read in full here on John Shaqi.
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