Cruikshank, George, 1792-1878; Illustration of books -- Great Britain -- 19th century; Watercolor painting, British
And now comes the question of how it should so happen, as Mr. W. H.
Ainsworth and I were such friends and fellow-workers and partners in the
work of _The Tower of London_, that he should have got another artist to
illustrate _Old St. Paul’s_ [‘one of my pet subjects, which I had nursed
in my brains for years, and which I had long intended to have placed
before the public with my own hands,’ as G. C. relates in another
charge)? And, after that was finished, to have employed a French artist
to illustrate _Windsor Castle_. Ay, _that is the question!_ And now
comes the answer and the reason for this most extraordinary proceeding.
I must here first state that as large sums of money had been realised
from my ideas and suggestions for the work of _Oliver Twist_, it
occurred to me one day that I would try and get a little of the same
material from the same source; and as Mr. Ainsworth and I were at that
time upon the most friendly--I may say brotherly--terms, I suggested to
him that we should jointly produce a work on our own account and publish
it in monthly numbers, and get Mr. Bentley to join us as the publisher.
Mr. Ainsworth was delighted with the idea of such a partnership, and
at once acceded to the proposition; and when I told him that I had a
capital subject for the first work he inquired what it was, and upon
my telling him it was _The Tower of London_, with some incidents in the
life of Lady Jane Grey, he was still more delighted; and I then told him
that I had long since seen the room in ‘the Tower’ where that beautiful
and accomplished dear lady was imprisoned, and other parts of that
fortress to which the public were not admitted, and if he would go with
me to the Tower I would show these places to him. He at once accepted
my offer, and off we went to ‘Hungerford Stairs,’ now the site of the
Charing Cross Railway Station, and whilst waiting on the beach for a
boat to go to London Bridge, we there met my dear friend the late W.
Jordan, the well-known editor and part-proprietor of _The Literary
Gazette_, who inquired where we were going to. My reply was that I was
taking Mr. Ainsworth a prisoner to the Tower! With this joke we parted.
I then took Mr. Ainsworth to the royal prison, and when we arrived there
I introduced him to my friend Mr. Stacey, the storekeeper, in whose
department were these ‘Chambers of Horrors’; and then and there did Mr.
Ainsworth, for the first time, see the apartment in which the dear Lady
Jane was placed until the day she was beheaded, or, in other words, the
day on which she was murdered, and which place I had long before made
sketches of for the purpose of introducing them in a _Life of Lady
Jane Grey_, and which for many years I had intended to place before the
public.
Public-domain text, read in full here on John Shaqi.
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