Amongst the many friends who were acquainted with the facts of this case, I may mention the names of T. J. Pettigrew (the eminent surgeon), the Rev. Canon Barham (author of the _Ingoldsby Legends_), Laman Blanchard, Douglas Jerrold, Albert Smith, Mark Lemon, Gilbert A’Becket, John Leech, Messrs. Bradbury and Evans, Richard Bentley, the publisher of the _Miscellany_, and many other dear friends, now, to my sorrow, passed away; but there are a few still living who are ready to substantiate my statements one a clergyman of the City of London, an old member of the Society of Antiquaries; another who is a literary man, a member of the Conservative Club; and also a dear and valued friend, who is a member of the Athenæum Club and Deputy Lord Lieutenant of one of our counties. This friend sent a letter to several of the newspapers--one of which was forwarded to me--a copy of which I here insert:-- Origin of the Work entitled ‘The Tower of London’ _To the Editor of the ‘Liverpool Post’_ Sir--I hope you will allow me to say that it is half a century since George Cruikshank has been my intimate and valued friend. I have a vivid recollection of his drawings of the Tower, and of having been frequently in company with the artist while these sketches were in progress; the strong impression on my mind _was_, and _is_, that the interesting tale called _The Tower of London_ was mainly written up to George Cruikshank’s drawings, and that they, in a great measure, suggested the story to Mr. Ainsworth. I think it therefore only right that justice should be done in this matter to the veteran artist who for so many years has amused the world, and striven to raise its moral tone. I enclose my card, and have the honour to be, yours, etc., A. B. Athenæum Club, London, 22nd April 1872. I I must add a postscript to say that respecting _The Miser’s Daughter_ I know nothing, as I was living on the Continent at the time it was written; but this I do know, that George Cruikshank is a man of honour, and would not assert anything he did not believe to be true. OLIVER TWIST, Or, The Parish Boy’s Progress By Charles Dickens CONTENTS I TREATS OF THE PLACE WHERE OLIVER TWIST WAS BORN AND OF THE CIRCUMSTANCES ATTENDING HIS BIRTH II TREATS OF OLIVER TWIST’S GROWTH, EDUCATION, AND BOARD III RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE IV OLIVER, BEING OFFERED ANOTHER PLACE, MAKES HIS FIRST ENTRY INTO PUBLIC LIFE V OLIVER MINGLES WITH NEW ASSOCIATES. GOING TO A FUNERAL FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER’S BUSINESS VI OLIVER, BEING GOADED BY THE TAUNTS OF NOAH, ROUSES INTO ACTION, AND RATHER ASTONISHES HIM VII OLIVER CONTINUES REFRACTORY VIII OLIVER WALKS TO LONDON. HE ENCOUNTERS ON THE ROAD A STRANGE SORT OF YOUNG GENTLEMAN