Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3] — John Shaqi
Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
‘Well, I would ’ave ’ad a cab, at any rate,’ said the ostler of the
leading hotel in the town, as the party passed, a remark cordially
accepted by his hearers, a seedy and bloated set of horsey-looking men,
who seemed to have nothing particular to do, and took a long time to do
it in.
‘’Ow the dickens are fellows like me to get a livin’ if tip-top actresses
like that ’ere young ooman take to walkin’? It’s wot I call downright
mean. She’s been ’ere and took a lot of money out o’ the town, and han’t
spent a blessed bob on a cab.’ Here the speaker, overcome with emotion,
dived into the pockets of his ragged corduroys, and finding unexpectedly
there the price of a pot of beer, repaired to the neighbouring bar, there
to solve the question he had anxiously asked; or to forget it, as he took
long draughts of his favourite beverage.
Meanwhile the actress and her attendant guardian angels continued
walking, she rapidly striving to recollect old shops and old faces,
whilst they mechanically uttered the unmeaning nothings that at times—and
the present was one of them—are quite as acceptable as real talk. As if
by magic, the news spread that the actress was walking to the station,
and great was the joy of the young men who served in all the fine shops
in the market-place, who had never seen a real live actress from London
in the daytime before, and whose remarks were of a highly complimentary
order. The shop-girls, who stared, were equally excited, but perhaps a
little more disposed to be critical. Further from the town centre the
excitement was less evident. People in the genteel villas scarce deigned
to turn their heads. To be emotionless and self-possessed is the object
of gentility all the world over. People in genteel villas are not easily
excited. In the low neighbourhood nearer the station, inhabited by
guards and porters and stokers and signalmen, where engines are
perpetually whistling and screaming and letting off steam, there was no
excitement at all. In such places, during business hours, one has
something to think of besides actors and actresses, and so the station
yard was very quickly gained. Only were to be seen a few young swells of
the town, who turned very red if the actress looked their way, simply
gazing respectfully from afar, wishing that they had been walking with
the actress instead of the Town Clerk, the Vicar, or the Mayor. The
latter worthy was a little proud of his position. He had by his side and
under his protection one whom he remarked, aside to his friends, was not
only an actress, but a deuced fine woman. The influence of a fine woman
on the male mind, especially in the provinces, where overpowering female
beauty is scarce, is marvellous. Even the reverend Vicar was not
insensible to its fascination; while the Town Clerk, who was a bachelor,
was, therefore, very legitimately in the seventh heaven, wherever that
may be; and when Sir Watkin Strahan’s family coach, with the three old
Public-domain text, read in full here on John Shaqi.
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