Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
Even then the boy sulked. He was of a class apparently for whom
respectability has few kind words or looks, who, in this wicked world,
get more kicks than half-pence. Respectability has quite enough to do to
look after her own children, especially now that taxes and butchers’
bills and School Board rates, to say nothing of coals, run up to such
formidable items, to give herself much trouble about the children of
other people. I have myself little pity for the heartless vagabonds who
bring children into existence merely that they may rot and die. Of the
devilish cruelty of such fathers and mothers no tongue can give an
adequate idea; hanging is too good for them. It is to them we owe the
pauperism which, apparently, it is beyond the power of the State to cure.
I am sick of the cant ever uttered of population _versus_ property; one
is born of self-denial, industry, foresight, all the qualities which we
as a nation require, while population is too often the result of
unspeakable vice or consummate folly, qualities against which it becomes
the nation to set its face.
But I must not forget the actress. More tenderly and coaxingly she
repeated the question. To the charm of that voice and manner resistance
was impossible.
Swallowing the rising tear with a great effort, slowly opening his eyes
and mouth at the same time, and looking terribly frightened all the
while, the poor lad replied:
‘Oh, ma’am, I’ve got such a pain in my head.’
‘Of course you’ve got a headache, lying like that in the sun. Why don’t
you get away and run home?’
‘I ain’t got a home.’
‘Then, what are you doing here?’ said the Mayor.
‘Nothin’,’ said the boy.
‘So it seems,’ said the Vicar.
‘Where’s your father?’ asked the actress,
‘I ain’t got one.’
‘Then, where’s your mother?’
‘Gone off with a tramp, and she took brother with her.’
‘But why did not she take you as well?’
‘’Cause she said I was big enough to earn my own wittles and drink. But
I must be off; here comes a bobby,’ said the boy, frightened at the
appearance of one of the town police. Alas! he was too weak to run; he
had had no food all day, and his only bed by night had been under some
old waggon or in some old barn or loft, and, barefooted, he fell an easy
prey to the representative of law and order.
‘Now, you young rascal,’ said the policeman, as he gave the lad a good
shaking, apparently in order to test the strength of his ragged clothes,
and, if possible, to make matters worse, ‘get out of this, and be off,’
an order which the poor lad would have obeyed had not the actress held
his hand.
‘You know him,’ said she to the policeman.
‘Know him! of course I do. It was only last week I had him up before the
magistrate.’
‘What for?’
‘For sleeping in the open air, and now here he is again. ’Tis very
aggrawatin’. What’s the use of trying to do one’s duty if this sort of
thing goes on?’
‘Is it a crime to sleep in the open air?’ asked the actress.
Public-domain text, read in full here on John Shaqi.
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