Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
The boy spoke honestly, that was clear. There was some good in him; the
devil had not yet got him in his grip. Was he to be saved? The Mayor,
and the Town Clerk and the Vicar seemed inclined to answer that question
in the negative. A passage of Scripture—a word of the Master’s—came into
the actress’s recollection as she looked at the little waif, ragged, half
starved, filthy, in their midst. Said the Master, when His disciples
asked Him which should be greatest in the kingdom of heaven, taking a
little child and setting him in their midst, ‘Except ye be converted and
become as little children, ye shall not enter the kingdom of heaven.
Whosoever, therefore, shall humble himself as this little child, the same
is greatest in the kingdom of heaven, and whoso receiveth one such child
in My name receiveth Me. Take heed that ye despise not one of these
little ones, for I say unto you that in heaven their angels do always
behold the face of My Father which is in heaven.’
‘Save the child,’ whispered the woman’s heart of the actress; ‘to-morrow
it will be too late, and human law, with all its terrors, will track him,
and he will be a rebel against man and God.’
‘Excuse me,’ said the Mayor, ‘but the train has been signalled, and will
be in in a few minutes.’
‘I am ready,’ said the lady, ‘but the child goes with me.’ The child
seemed to nestle under her wing, as it were. He was frightened by the
others.
‘You don’t mean that!’ ‘It is impossible!’ ‘What an idea!’ were the
respective utterances of Mayor, Vicar, and Town Clerk, who simultaneously
stepped back a step or two, as if doubting whether the lady were in full
possession of her senses and were desirous to settle that question by a
fuller survey a little further off. It is astonishing how great a
sensation is produced in this Christian country when anyone tries to
reduce Christianity to practice, to get it to talk modern English, to
bring it down from the clouds, and to make it walk the streets. Just
then the station bell rang.
‘Now, my little man, won’t you come along with me?’ said the actress to
the lad. The little fellow opened his eyes—they were fine ones, and
testified to the beating of a clear, undefiled, honest heart within—and
joyfully assented.
‘Please get him a glass of milk, and some sandwiches and biscuits; put
them on a tray,’ said the actress to the stolidly staring policeman, who
was so overcome that, quite unconsciously, he found himself holding the
ragged boy by the hand, and administering to him what little refreshment
there was to take, and putting him in a first-class carriage, having
first carefully covered him over with one of the actress’s shawl’s, that
the shame of his nakedness might not appear, as if he were a young
nobleman’s son.
Public-domain text, read in full here on John Shaqi.
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