Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
One building, however, was an exception to the others, as regards age.
Originally it had been started as a boot and shoe manufactory, but that
did not pay; then it became a depot for pure literature and well-meant
publications, but no one came to buy; then it came into the hands of a
Town Councillor, who, disgusted that the Corporation would not purchase
it at an extravagant rate, to pull it down, vowed that he would never lay
out a penny on the place, only get out of it what rent he could. As he
let it out in tenements, the rents of which were collected by a somewhat
unscrupulous agent, the fact was, the locality became less respectable
and less cared for every day. It was avoided by the police as much as
possible. If there was a quarrel—as there was almost every day—between
its wretched inmates, it was hard to say who was to blame. Passing down
there one day, I saw a man savagely assaulting his wife. To my
remonstrance he replied that if he did not let her know that he was
master, she would stick a knife into him; and, according to the public
opinion of the place, he was right. Only on Sunday morning was the place
quiet, and that was not because the dwellers there were at church or
chapel, but simply because the weary were enjoying an extra hour’s sleep,
or the dissipated had not, as yet, overcome the effect of the previous
evening’s debauch.
All at once Parker’s Piece became known far and near. One night a little
one, happily, died, instead of making a feeble and ineffectual struggle
to live; an inquest was held, and the result was a revelation of misery
and wretchedness which made all Sloville stand aghast. A London radical
newspaper sent down an artist to give a rude drawing of the place, and a
special correspondent, whose report was as sensational as could be
desired. Parker’s Piece became as well known to the British community as
the Mansion House, or St. Paul’s, or Westminster Abbey, or the Houses of
Parliament. Money showered down on the place, little to the advantage of
the deserving, who are the last to proclaim their needs, but greatly to
that of the publican and sinner. It was felt by everybody something must
be done. A grand church was erected at one corner, to which, however, no
one went; a mission hall was started at the other by a speculative
philanthropist, on his own hook, while a building was secured for a
similar purpose by the leading people of the leading Congregational
Church in the town. It was a real case of line upon line, and precept
upon precept. The plan was to catch sparrows by putting a little salt on
their tails, and the plan succeeded to admiration. There was a free tea,
which was a great success; then there was a regular breakfast on a Sunday
morning, which answered still better. The men looked rather sheepish at
first, but the women were too many for them. The fleshpots of Egypt
prevailed, and there was a good attendance, a state of resignation when
Public-domain text, read in full here on John Shaqi.
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