Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 1 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
‘But you look as if you had employment.’
‘Yes, sir, I have, I am thankful to say, though it brings me in but
little; at any rate, I earn enough to keep me off the parish. Perhaps,
gentlemen, you would like to walk in.’
They did so.
‘How neat! how clean!’ said the Vicar, as he looked admiringly around.
‘What a view you have! Positively good; quite commands the place.’
‘Yes, sir, but the chimneys give me a little more smoke than I care for.
It is rarely I dare open my window, for fear of the blacks.’
‘Ah, my good woman, it is so with all of us! There is always something
amiss—something we should like to get rid of—a fly in the ointment,’ as
Solomon says. ‘Now, there are my curates: they are happy young men, but
I have no doubt they would like to be in my shoes’—a remark so true that
the curates could not contradict it, only by a deprecatory smile and
shake of the head. ‘Dear me!’ continued the Vicar, as he turned from the
window to the interior. ‘Why, you have a sofa here, with an
antimacassar!’
‘Pardon, sir, that is my bed.’
‘Ah, well, it is quite a model—quite a model. Why, we could dine here
off the floor. What a nice little bit of carpet! What a nice little
looking-glass! Oh, woman, how strong is the ruling passion! And bless
me!’ he said, turning, as he made a still longer inspection, ‘why, here
are flowers—positively flowers—and flowers cost a deal of money at this
season of the year!’
‘Excuse me, sir, they are artificial.’
‘What! ah, yes, I see they are; but artificial flowers cost money.’
‘They cost me but very little. I made them myself, to sell, if possible,
but I could not get a customer, and so I kept them to make the room a bit
cheerful.’
‘Ah, I see you are one of the better class of workpeople—what I may call
the aristocracy. I am awfully sorry. I should really have liked to have
helped you, but our funds are small, and the amount of distress in the
town is so large that we are obliged to be very particular—very
particular indeed. It is a duty we owe to the parish and to the kind
friends who have subscribed the money. They have the greatest confidence
in us, and we must not abuse that confidence.’
‘Pray, sir, don’t think of it. If there are any poor people much worse
off than myself, why, I pity ’em,’ said the poor woman.
‘Worse off, my good woman! Oh, the town is full of such! Look at your
poor neighbours in the next room—a most shocking case; yet, in all their
poverty, taking charge of a little waif that, somehow or other, came into
their hands.’
The woman said nothing. She could have said a good deal, but she knew
the family, and she also knew the value of peace and quietness.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account