Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
She felt, as we all must feel, that there is something more than this
feverish dream we call life—something greater and grander and more
enduring beyond. To her the heavens declared the glory of a God, and the
firmament showed forth His handiwork. To her day unto day uttered
speech, and night unto night showed forth knowledge. She had no wish to
shut out Divine speech. Her labour was how best to hear it, and most
quickly to obey. The history of humanity testifies to this one
all-pervading desire in ages most remote, in countries the most savage.
As the great Sir James Mackintosh wrote to Dr. Parr in 1799, after the
loss of his wife: ‘Governed by those feelings which have in every age and
region of the world actuated the human mind to seek relief, I find it in
the soothing hope and consolatory reflection that a benevolent wisdom
inflicts the chastisements, as well as bestows the enjoyments of human
life; that superintending goodness will one day enlighten the darkness
which surrounds our nature and hangs over our prospects; that this dreary
and wretched life is not the whole of man; that an animal so sagacious
and provident, and capable of such science and virtue, is not like the
beasts that perish; that there is a dwelling-place prepared for the
spirits of the just, and that the ways of God will yet be vindicated to
man.’ Our actress felt the same; she had, she felt, a soul to be saved,
a God to be loved, a heaven to be won.
But how? Ah! that was the question. Naturally she turned to the old
Church of Christendom, the Church that calls itself Catholic and
universal. She went to the priest; he showed her a bleeding Saviour, and
a burning, bottomless pit. She trembled as she stood in the old dim
cathedral, where no light of heaven ever came, where no voice of mercy
ever penetrated, where the whole air of the place was redolent of
priestcraft and artifice and sham.
‘You,’ screams the priest, ‘are all unjust, extortioners, adulterers,
dead in trespasses and sins. Give me money, and I will make it right
with the Almighty. Down on your marrow-bones, eat fish on a Friday,
count your beads, confess to me—a man no better than yourself—pay for
Masses. In my hand is the key to eternal joy; pay my fees, and the door
shall be unlocked, and you shall straightway go to paradise.’
Refuse, and he shows you an angry Jehovah, in His rage destroying a fair
world which He Himself had called into being and filled with life, and
sweeping millions into torments that never end. The sight is awful.
Happily, reason comes to the rescue, and the priest and the cathedral,
and the Mass and the music, the incense and wax lights, disappear.
Public-domain text, read in full here on John Shaqi.
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