Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
She stood on Waterloo Bridge—that bridge of sighs—where many a poor girl
has leaped
‘Mad with life’s history,
Glad to death’s mystery,
Swift to be hurled
Anywhere—anywhere
Out of the world.’
And she felt half inclined to climb over and do the same herself, only
the water looked so black and cold, and she put off her half-formed
purpose for another day. Perhaps, also, she was too old for that sort of
thing. She should have taken the false leap when she was gay and
good-looking. Then the papers would have made London ring with her
story, and the low pictorial pennies would have made her the subject of a
sensational sketch.
As she was, alas! prematurely old, and wrinkled, and gray, no one would
take any notice of her; it was hardly worth while attempting to drown
herself, she thought. She might as well live on, she could not well be
worse off; and then she sat herself down in the arch and fell asleep,
dreaming of— But who can tell the grotesque misery of a tramp’s dream?
Suddenly she was awoke by the policeman’s grasp.
‘Well, old ’oman,’ said he, ‘you’ve been having a nice time of it here.’
‘And why not?’ said she, waking up to a sense of her condition. ‘Why
not? What’s the harm of sleeping out here? I arn’t kicking up a row—I
arn’t creating a disturbance—I arn’t screaming “Perlice!” am I? I arn’t
in no ways disrespectful or aggravatin’—why can’t you let me be?’
‘’Cause it is agin the perlice regulations,’ was the reply.
‘The perlice regulations, what are they?’
‘Why, that you must not stop here, and it is as much as my place is worth
to let you.’
‘Oh, p’liceman, don’t be hard on a poor old woman that’s enjoying the
hevening hair!’
‘No, I can’t,’ said he. ‘I am going over the bridge. When I come back,
don’t let me find you here. You’ve had a nice little nap. You must be
as fresh as a daisy now.’
‘Perhaps I am, and perhaps I am not,’ said the poor woman, as she renewed
her aimless walk.
In a few minutes she was in the Strand, just as the theatres were emptied
of admiring crowds. Of course the poor woman knew all about such
matters. Many a time in the pride of youth had she spent an evening in
the pit. Many a time, at a later period, she had sold lucifer matches at
the pit doors, and many were the coppers she had earned thereby.
She liked to see the bright lamps, and the swells, and the women, as well
as anyone else. The sight, she said, did her old eyes good. That night
the crowd had been unusually large. The last theatrical star, as she
learned from the bills, Miss Kate Howard, had been performing, and all
the world and his wife had come there to see.
‘Lor’ bless me!’ said Sal to herself, ‘I’ll go to the stage-door at the
back. I’ve seen a good many of these women in my time. I’d like to see
what this one is like. I suppose she is like all the rest of ’em, as
fine as paint and fine feathers can make ’em, but not of much account,
neither. Many of ’em ain’t much better than me, after all.’
Public-domain text, read in full here on John Shaqi.
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