Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
And then they parted; he stern and resolved, she sorrowful and sad; he
intimating something about it was a pity that people could not remain
satisfied with the station of life in which they were born, which did not
pour balm into a wounded soul. Happily for herself, however, she could
exclaim with Sir Thomas Browne, ‘As for those mazy mysteries in divinity
and airy subtleties in religion which have unhinged the minds of many,
they have never stretched the _pia mater_ of mine.’ But to gain this
position was a work of time.
With an aching heart, once more the actress sought a clergyman. He was a
Broad Churchman. There were no difficulties for him. In antiquated
forms, in vain repetitions, in decaying creeds, there were difficulties,
it might be; but one was not to bother one’s self about them. It was
true that one had to conform to outward form, but the spirit was greater
than the form. The time would come when the Church would burst its
bonds, but at present all they had to do was to make the best of a bad
situation. It seemed to her such church-worship was a sham. The man in
the pulpit, the man in the pew, alike ignored the dead creed, and instead
revelled in glib phraseology, in poetical nothings, in much-sounding
rhetoric and ecclesiastical show and ritual. The chief things were the
music, the millinery, and the show—the white-robed choristers, the dim
religious light.
Then she thought of her old training among the Dissenters, and went to a
chapel. She was staying at an old country mansion, when one Sunday
morning the gentlemen were going to have the usual smoke in the stables,
and examine the horses and the hounds, and to make a few bets about a
forthcoming race, and there was a smile of perfect horror as she
expressed her intention of going to the village meeting-house, while the
ladies were inexpressibly shocked. No one went to meeting; it was low.
One could not be received in society who was known to go to meeting.
‘I show myself once or twice in a year at church just to keep myself on
good terms with society,’ said the gentleman of the mansion.
The actress went to the chapel, as nowadays the meeting-house is termed.
It was as Gothic in style as it was possible to be. The singing was
good. The preacher was a man of culture, and was dressed as much like a
clergyman as was possible. The hearers were of the respectable middle
class; the working man was conspicuous by his absence. But, alas! it was
known the next Sunday that the quiet lady who had attended the previous
Sunday was an actress from town. She found every eye turned towards her.
There was quite a crowd to see her arrive and depart, and further
attendance was impossible.
Public-domain text, read in full here on John Shaqi.
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