Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
faith and virtue were to meet an appropriate reward. Sir Watkin, cynic
as he was, could not but admire. At first he ventured to hesitate,
dislike, to damn with faint praise, as in his somewhat superior style he
attempted one or two remarks to those around; but the feeling was too
strong, and he found himself applauding in spite of his stern resolve to
do nothing of the kind. Yes, the girl had become a fine woman and a
clever actress. She surely would not cut him if he made his way behind
the scenes. In vain, however, he would have tried had not the manager
seen him.
‘How d’ye do, Sir Watkin? glad to see you. You have not been much with
us of late.’
‘No,’ replied the Baronet; ‘I’ve been busy elsewhere. You’ve got a good
house to-night. A good deal of paper, I suppose?’
‘Not a bit of it. The public pay.’
‘I am glad to hear that. How do you account for it?’
‘Sir Watkin, I am surprised you ask such a question when you see what a
star we’ve got.’
‘Oh, Miss Howard. Not bad. I should like to speak to her.’
‘By all means; come along.’
And they made their way to the back, cold and draughty, and very
disenchanting, as the workmen were shifting the scenes.
‘Take care, Sir Watkin. Mind that trapdoor. Look out, Sir Watkin!’ and
suchlike exclamations were uttered by the manager as one danger after
another threatened. The scene-shifters, very dirty, were numerous.
There a ballet-girl was talking to an admirer, as she was waiting her
turn. There another was by herself practising the step which was, in a
few minutes, to crown her with well-deserved applause. In the midst of
them presently Miss Howard appeared. The manager hastened to introduce
his old friend, who, with his hat off, was preparing one of the polite
speeches for which men of the world are famous, and by means of which,
occasionally, they ensnare a woman.
The lady walked on.
The manager was shocked.
It was now the Baronet’s turn.
‘Permit an old friend to offer Miss Howard his congratulations on her
great success this evening.’
The lady thus addressed coldly bowed, but uttered never a word.
The situation was embarrassing. Fain would the Baronet have detained the
actress.
‘Rose,’ he said passionately, ‘one word!’
But before he could utter another he found himself face to face with
Wentworth, who, as usual, had come to see the actress home.
‘You here?’ said he to the Baronet.
‘Yes, and why not?’ said the latter angrily.
‘And you dare speak to that lady?’
‘Yes, why not? Do you think I am to be balked by a fellow like you?’
‘Say that again,’ said Wentworth, ‘and I’ll break every bone in your
body.’
‘Gentlemen, gentlemen,’ exclaimed the manager, ‘pray be quiet! Sir
Watkin, come along with me.’
Public-domain text, read in full here on John Shaqi.
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