Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]Ritchie, J. Ewing (James Ewing)
General
Crying for the Light; Or, Fifty Years Ago. Vol. 2 [of 3]
Ritchie, J. Ewing (James Ewing)
England -- Social conditions -- 19th century -- Fiction
The manager was in a dilemma. He would not for the world offend the
Baronet, who had often aided him with money, and at the same time he was
afraid of the press, of which Wentworth was a representative. As he said
afterwards, he felt as if he were between the devil and the deep sea.
His aim was to offend no one who could be of any use.
‘Come along with you—yes, I will, but I must have it out with this fellow
first,’ said the Baronet, making a rush at Wentworth, who seemed quite
prepared for the encounter.
Fortunately, just at that time there was a rush of ballet-girls between
the angry combatants. They covered the Baronet in a cloud of muslin,
who, though not seen, could be heard expressing indignation in no
measured terms. The Baronet was powerless as, like a protecting wall,
they encircled him, all smiles and sunshine—a contrast to his scowling
face.
‘Pardon me, ladies,’ said he, ‘you’re rather in my way. I have been
insulted on this stage, and I’ll have my revenge.’
What more the Baronet would have said is lost to history. The stage is
full of pit-fells. One gave way as he was speaking, and suddenly he sank
out of sight. The ballet-girls shrieked, and then burst into a fit of
laughter as they saw no harm was done. It is needless to say the Baronet
was soon extricated from his unpleasant position, and made a rapid
retreat. It does not do to be ridiculous, especially when you are in a
towering rage, as we all know there is but a step between the sublime and
the ridiculous.
‘I wish,’ he said to himself, as he drove home, ‘I had stopped at the
club. I was a fool to go behind the scenes. I would like to be revenged
on that Wentworth, but how? That’s the difficulty. The age of duelling
is past, murder has ceased to be one of the fine arts, and I must grin
and bear it.’
So far the Baronet was right. In the eye of the law, and at the bar of
public opinion, the man who resorts to force is hopelessly in the wrong.
We moderns, like the gods of Epicurus, approve
‘The depth, but not the tumult of the soul.’
Poor Rose was not a little upset. Her face was marble, but her heart was
sad. Was this man to track her steps?
‘Rose, my beautiful,’ said her companion, when they were fairly out of
the theatre, ‘we have loved each other long, and the sooner we get
married the better. It is not safe for you to be alone.’
It was thus he spoke, nor did he speak in vain.
We hear much of woman’s rights in these days. I am old-fashioned enough
to believe that her first right is a husband to look after her. It is
not well for man or woman to be alone.
* * * * *
END OF VOL. II.
* * * * *
* * * * *
BILLING AND SONS, PRINTERS, GUILDFORD.
Public-domain text, read in full here on John Shaqi.
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