Cubists, American, 48; and El Greco, 110; and certain American painters, 60; child-like faith of, 109; esoragoto, 147; free to express themselves in their own way, 103-107; getting away from cubes and angles, 82-83; impression of New York, 96-97; in business or profession, 62; more favorably considered, 55, 56; mostly young men, 108-109; named by Matisse, 22; nothing strange in their theories, 63; protest against pictures, 50; quotation from Plato, 102; see nothing in Futurism, 59; too serious, 158; understanding them, 83-85 Dabo, 1 Dasburg, 49 Davidson, 1, 203 Davies, 1, 201; a creative painter, 196 Decoration and pictures, 159; of offices, 162-163 Delauney, 47 Denissow, 47 Derain, 28, 47, 112; “Forest at Martigues,” 69 DeZayas, 98 Dove, 48 Drawing, modern men are masters of, 130 Dresden, new movement in, 47 DuBois, 1 Duchamp, “Chess Players,” 68, 71; “King and Queen,” 70, 71; “Nude Descending the Stairs,” 164 Dufy, 47 Durand-Ruel, 22, 23, 24 Durer, elemental lines in human figure, 73-77 Duret, 12, 21 Emotions, painting of, 11, 92, 102; sclerosis of, 62 England, new movement in, 47-48 Erbsloh, 111 Esoragoto, 147-153; all great paintings are, 150 Etchells, 48 Exhibitions at 291 Fifth Ave., 211-213; by Impressionists, 21-26; independent, 194; Morgan, pictures in Metropolitan Museum, 198-199 Extremists in art, 2-3 Fauvism, what it means, 47 Ferguson, 47 Ferment of new ideas, 4 Fiction, future development of, 171 Fischer, 38, 72, 112 Freedom to express one’s self, 103-107 French, 204 Friesz, 28, 47 Fry, Roger, 48, 116; article on Brancusi, 183 Fry, S. E., 1 Futurism, 164-189; development of, 165; exhibition of sculpture, 184-185; first exhibition in London, 175; manifestoes of, 165-180; manifestoes not to be accepted too literally, 188-189; pictures and theories extreme, 166; sculpture, 182-186; theory of, 165; theory of literature, 167-172; theory of sculpture, 185-186; transparency of objects, 176-179, 180-182 Futurists, and reaction, 32; patriotism of, 189-196; see nothing in Cubism, 59 Gauguin, 37; a dreamer, 42; and Strindberg, 41-42; career, 40-42 Genin, 47 Gill, 48 Girieud, 47, 111 Glackens, 1 Gleizes and Metzinger’s book, 103 Gleizes, “Man on the Balcony,” 70 Gore, 48 Grant, 48 Graveyards of art, private galleries as, 160 Great artist, quality of, 26, 27 Greek painting, portraits, 113 Greek sculpture, painted, 152 Grieg, 106-107 Haller, 112 Hearn collection in Metropolitan Museum, 198-199 Hegel, philosophy of art, 20 Henri, 1; a virile Impressionist, 193 Hoetger, 112 Hofer, 111 Hokusai, terra cotta horse, 152 Homer, a virile Impressionist, 192; absorbed his subjects, 149; his technic, 79; work compared with recent pictures, 198 Ideals, demand for, 31 Ideas, accepting ready made, 64 Imagination and observation in art, 14-15