Impressionism (see Virile Impressionism); American, 193; and Monet, 34; definition of term, 28; different forms of, 195-196; growth of, 19; of Les Fauves, 33; method of, 16; realistic, and the great portrait painters, 208; realistic leads to, 207-208; substantial leads to, 208-210; substantial, leads to Post-Impressionism, 210; summing up of, 207; superficial leads to, 207 Impressions, reaction to, 62-63 Impressionists, 11; and Futurists, we all are at times, 62; derivation of name, 21; early exhibitions of, 21-26 Impressionist pictures bought by Chicago woman, 27 International Exhibition, 1, 3, 4, 26; coincided with other upheavals in life, 65; effect of on society, 7; indignation of older men, 194; no Futurist pictures, 164; plenty of ugly pictures in, 157; younger men curious, 194-195 Jakulof, 47 James, Henry, style obsolete, 168 Japanese art esoragoto, 147; painting bamboo forest, 150; sumi, 150; perspective in, 78; principles of, 147-149 Jargon in art and other departments of thought, 10 Jawlensky, 47, 110, 111, 113 Johnson, 49 _Journal_, Reno, Nevada, editorial from, 217 Kahler, 112 Kanabe, 47 Kandinsky, 111, 112; and Turner, 29; article in “Der Blaue Reiter,” 131-135; estimate by other artists, 138, 139; extreme in theories and work, 115; his improvisations, 116; his pictures in London exhibition, 116; his writings, 107; Improvisations, 124-128; letters from, 124-128; personal letter regarding his development, 135-137; praised by a critic, 116-117; spiritual values and necessities, 133-135; qualifications and theories, 117-128 Kanoldt, 111 Kantsch, 47 Koga, 111, 114 Kramer, 1 Kroll, a virile Impressionist, 195, 196 Kuhn, 1 Kuznezoff, 47 Lempué, letter from, 50 Larionoff, 47 Laurencin, 47 Laughing at what is strange, 63 Laughter at the pictures, 7-8 Laurvik, 86 Lawson, 1 Lee, 49 Le Fauconnier, 111 LeFitz Simons, 20 Lehmbruck, 182 Les Fauves, 33, 37 Lewis, 47, 48 Lewis, 48 Lie, 1 Life and rhythm, 8 Life, romantic and realistic periods of, 18-19 Light, painting of, 11 Light, waves, 143 Literature, objectionable books, 157 Lloyd, George, 62 London, Allied Artists’ Exhibition, 183; first exhibition of Futurism, 175 Luks, 1 MacMonies, 204 Manet, a realistic Impressionist, 207-210; and followers, 11-12; studio painter, 17 Marc, 112, 115 Marinetti, 165 Marquet, 47 Maschkoff, 47 Materialism and idealism, 18-19 Matisse, 28, 37; career of, 43-47; element of ugliness in, 157; inevitable after Bouguereau, 157; “Madras Rouge,” 113; sculpture, 202; theories of, 44-47 McFee, 49 McRae, 1 Metropolitan Museum, 26 Metzinger, 47 Millet, a subject painter, 14; and Chabaud, 15; and others ridiculed by Paris, 8; manner of working, 16 Miller, Kenneth, a creative painter, 196 Mogilewsky, 112 Monet, a superficial Impressionist, 207-210; and painting of light, 29; and surface of things, 35