Redon, 47 Rembrandt, sale of “Bathsheba,” 6-7; overpriced, 60 Resilient, men who are, 62 Revolutionary movements, interest in, 66 Ridicule, of famous Impressionists, 22-26; of the strange, 65; which greeted great masters, 21 Rimington, 140-146 Rodin, 35, 182; attitude towards sculpture, 203; his Balzac purely Post-Impressionistic, 79; his technic, 79 Rohland, 49 Romanticism, 12 Royal Academy in London conservative, 57 Rousseau, 37 Rouault, 112 Russia, new movement in, 47 Russian Ballet, 9 Ruskin, opinion of Wagner, 61 Russolo, 179 Rutter, 3, 28, 42 Sacharoff, 111 Salmon, 43 Salon d’Automne, 54; exhibition 1912, 50 Salon des Refuses, 11 Salon d’Independants, plan of, 56 Salons grow conservative, 57 Sargent, a virile Impressionist, 193; and Alexander, 199; and Whistler, 193; his technic, 79; tired of portrait painting, 102 Sarjan, 47 Schalowsky, 47 Schereczowa, 47 Schnabel, 111 Schools, effect of, 137, 138 Sculpture, 202-205; (see Futurism); American, 203-204; compared with painting, 187-188; creative works, 204-205; developments in, 202-203; Futurist (see Futurism); Greek, 203; Matisse, 202; observation and imagination in, 204; painted, 152; primitive element in, 206; Rodin, 203; spiritual element in, 205; work of Brancusi and Archipanko, 204 Secessionists, Munich, 55 Segonzac, 200 Seguin, 42 Shaw, Bernard, a reactionary, 170 Sky-scrapers, 199 Sloan, 1 Société des Artistes Francais, 53-54 Société des Artistes Independents, 54 Société Nationale des Beaux-Arts, 53-54 Sound waves, 143 Sousa Cardoza, 85 St. Gaudens, 204 Stieglitz, 1, 116; his exhibitions, 211-213 Still lifes, 94, 145 Story-telling pictures, 14 Strauss and other composers, 9 Strindberg and Gauguin, 41-42 Striving as an element of vitality, 89 Studios, art and nature art, 14; mostly ugly, 95 Subjective art, 90 Subjects in painting, 13-14 Substance of things difficult to paint, 98 Sudbinin, 112 Symphonies, 14 Synchronists, 60 Taste, attitude of public normal, 156; change in public taste, 55-56; changes from decade to decade, 155-156 Taylor, 1 Theater, Cubists, Futurists, etc., in, 64; color effects in, 142-143; future development of play, 170-171 Things, painting of, 11 _Times_, London, editorial from, 214 Times ripe for a change in art, 9 Tolerance, a plea for, 65 _Tribune_, Chicago, article on London Exhibition, 55 Tucker, 1 Turner and light effects, 28; forerunner of Impressionism, 13; his strange pictures, 29; ridiculed in England, 8 Ugliness, 154-163; a matter of taste, 154-156; and superb technic, 156; a realism, 158; a touchstone for taste, 157; great masters thought ugly, 155-156; in sculpture, 205-206; Matisse, 157 Van Dongen, 47, 112 Van Gogh, 37; letters of, 40 Verhoeven, 47 Virile Impressionism, 191-201; glorious future for, 209-210; material and practical, 192; outcome of substantial Impressionism, 209-210