Morgan Exhibition in Metropolitan Museum, 198-199 Mourey, protest against Cubist pictures, 52 Movements in art, 8, 19; never devoid of force, 53; new in music, drama, etc., 30-31 Munich, atmosphere of compared with that of Paris, 111; new movement in, 47; Secessionists, 55; the new art in, 110 Münter, 111, 112, 114 Müther, 16 Music and painting, development of, 92-94 Music, changes of appreciations in, 9; Chinese, 128-129; color organ, 140-146; Greek, 128-129; imitative, 106-107; in color, 140-146; of Schoenberg, 9; Oriental, 128-129; Russian Ballet, 9; sound waves, 143; understood in different ways by different hearers, 84-85; used to explain, 106-107 Myers, 1 Nankivell, 1 National Academy in New York conservative, 57 Nature is living spirit, 134 Neo-Cubists, 67 Neo-Impressionists, 13; logical outcome of Impressionism, 27 New and strange, average man bewildered by, 153 New ideas and work, 5 Newspaper, pictures in editorial room of, 160 New York, impressions by a Cubist, 96-97 Nieder, 112 Nocturnes, 14 Objects flow through one another (see chapter on Cubism) Objective art, 90 Observation and imagination in art, 14-15 Offices, decoration of, 162; pictures in, 161 Official exhibitions and independent, value of, 57 Old and new men, 4, 5 Old masters and the new art, 110 Old masters, works belong to public, 6 Opera not understood, 83-84 Orphists, 60; theory of, 90-91 Organ, for color music, 140-146 Pach, 1 Painters like inventors, 19-20 Painting, a terrible problem, 2; and music, development of, 92-94; and sculpture compared, 187-188; in France, 19th century, 12 Paris compared with Munich, 111 Peploe, 47 Perfections of Impressionism to imperfections of Post-Impressionism, 9 Perfection unattainable, 1 Periods in work of artist, 20 Photo-Secession Gallery, 1 Picabia, calls Cubism a misnomer, 82; comparison made by, 91-92; “Dance at the Spring,” 68; explanation of abstract painting, 95-97; impressions of New York, 96-97 Picasso, 47, 112; changes in style, 67; his development, 100-101; his theory, 98-100; “Woman and the Pot of Mustard,” 68; “Woman with a Mandolin,” 123 Pictures, easel, 144 Planes, as used by Picasso, 101; drawing in, 73-78; illustrated in modelling an orange, 80 Plato, quotation from, 102 Pointillists, 28 Porter, 1 Portrait painting and cubism, 159; and the modistes, 95; the average, 159 Post-Cubists, 67 Post-Impressionism, 11; aim of, 30; and reaction, 30; fundamentally different from Impressionism, 27, 28; what it means, 11; Exhibition in London, 55 Prendergast, 1 Prices, absurd for old masters, 6-7; of famous Impressionist pictures, 22-26 Private buyer, his opportunity, 6 Progressive Political Convention, 4 Progressive Political Party, 66 Protest, a futile, 50 Public instinctively feels, 158 Public, normal attitude toward new pictures, 156 Reaction in art, 2 Realism and Courbet, 12