avoidance on the wife’s mother and the daughter’s husband, with exactly
the same psychological correlate, it is, to my mind, rash to decree
without attempt to produce evidence that this custom must, in each case,
have developed from entirely distinct motives. To be sure, this
particular usage has not yet, in my opinion, been satisfactorily
accounted for. Nevertheless, in contradistinction to some of my
colleagues and to the position I myself once shared, I now believe that
it is pusillanimous to shirk the real problem involved, and that in so
far as any explanation admits the problem, any explanation is preferable
to the flaunting of fine phrases about the unique character of cultural
phenomena. When, however, we ask what sort of explanation could be
given, we find that it is by necessity a _cultural_ explanation. Tylor,
_e.g._, thinks that the custom is correlated with the social rule that
the husband takes up his abode with the wife’s relatives and that the
taboo merely marks the difference between him and the rest of the
family. We have here clearly one cultural phenomenon as the determinant
of another.
It is not so difficult as might at first appear to harmonize the
principle that a cultural phenomenon is explicable only by a unique
combination of antecedent circumstances with the principle that like
phenomena are the product of like antecedents. The essential point is
that in either case we have past history as the determinant. It is not
necessary that certain things should happen; but if they do happen, then
there is at least a considerable likelihood that certain other things
will also happen. Diversity occurs where the particular thing of
importance, say the wheel, has been discovered or conceived in one
region but not in another. Parallelism tends to occur when the same
significant phenomenon is shared by distinct cultures. It remains true
that in culture history we are generally wise after the event. _A
priori_, who would not expect that milking must follow from the
domestication of cattle?
Public-domain text, read in full here on John Shaqi.
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