Cumner's Son and Other South Sea Folk — Volume 04Parker, Gilbert
General
Cumner's Son and Other South Sea Folk — Volume 04
Parker, Gilbert
Oceania -- Fiction
She stood where he had left her, gazing in melancholy abstraction at the
door through which he had passed. There were footsteps without in the
hall-way. The door was opened, and a servant announced M. Laflamme. The
painter-prisoner entered followed by the soldier. Immediately afterward
Mrs. Angers, Marie's elderly companion, sidled in gently.
Laflamme bowed low, then turned and said coolly to the soldier: "You may
wait outside to-day, Roupet. This is my last morning's work. It is
important, and you splutter and cough. You are too exhausting for a
studio."
But Roupet answered: "Monsieur, I have my orders."
"Nonsense. This is the Governor's house. I am perfectly safe here.
Give your orders a change of scene. You would better enjoy the
refreshing coolness of the corridors this morning. You won't? Oh, yes,
you will. Here's a cigarette--there, take the whole bunch--I paid too
much for them, but no matter. Ah, pardon me, mademoiselle. I forgot
that you cannot smoke here, Roupet; but you shall have them all the same,
there! Parbleu! you are a handsome rascal, if you weren't so wheezy!
Come, come, Roupet, make yourself invisible."
The eyes of the girl were on the soldier. They did the work better; a
warrior has a soft place in his heart for a beautiful woman. He wheeled
suddenly, and disappeared from the room, motioning that he would remain
at the door.
The painting began, and for half an hour or more was continued without a
word. In the silence the placid Angers had fallen asleep.
Nodding slightly towards her, Rive Laflamme said in a low voice to Marie:
"Her hearing at its best is not remarkable?"
"Not remarkable."
He spoke more softly. "That is good. Well, the portrait is done. It
has been the triumph of my life to paint it. Not that first joy I had
when I won the great prize in Paris equals it. I am glad: and yet--and
yet there was much chance that it would never be finished."
"Why?"
"Carbourd is gone."
"Yes, I know-well?"
"Well, I should be gone also were it not for this portrait. The chance
came. I was tempted. I determined to finish this. I stayed."
"Do you think that he will be caught?"
"Not alive. Carbourd has suffered too much--the galleys, the corde,
the triangle, everything but the guillotine. Carbourd has a wife and
children--ah, yes, you know all about it. You remember that letter she
sent: I can recall every word; can you?"
The girl paused, and then with a rapt sympathy in her face repeated
slowly: "I am ill, and our children cry for food. The wife calls to her
husband, my darlings say, 'Will father never come home?'"
Marie's eyes were moist.
"Mademoiselle, he was no common criminal. He would have died for the
cause grandly. He loved France too wildly. That was his sin."
"Carbourd is free," she said, as though to herself.
"He has escaped." His voice was the smallest whisper. "And now my time
has come."
"When? And where do you go?"
Public-domain text, read in full here on John Shaqi.
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