It must have struck many of those who have thought about the matter at all
as a most remarkable coincidence that sunlight should be white. White
light, as we have seen, consists of a mixture of variously-coloured rays
in very different and apparently arbitrary proportions, and if these
proportions were a little changed the light would no longer be quite
colourless. No ordinary artificial light is so exactly white as that of
the sun. The light of candles, gas, oil, and electric glow-lamps is
yellow; that of the electric arc (when unaffected by atmospheric
absorption) is blue, and that of the incandescent gas burner green. It is
exceedingly convenient that the light which serves us for the greater
part of our waking lives should happen to be just so constituted that it
is colourless.
But on a little further reflection it will, I think, appear that this is
not the right way to look at the matter. It is precisely because the hue
called white is the one which is associated with the light of our sun that
we regard whiteness as synonymous with absence of colour. We take sunlight
as our standard of neutrality, and anything that reflects it without
altering the proportions of its constituents we consider as being
colourless.
There can be little doubt that if the sun were purple instead of white,
our sentiments as regards these two hues would be interchanged; we should
talk quite naturally of "a pure purple, entirely free from any trace of
colour," or perhaps describe a lady's costume as being of a "gaudy white."
Even as things are, the standard of neutrality is not quite a hard and
fast one. We have a tendency to regard any artificial light which we may
happen to be using, as more free from colour than it would turn out to be
if compared directly with sunlight. If in the middle of the day we go
suddenly into a gas-lit room, we cannot fail to observe how intensely
yellow the illumination at first appears; in a few minutes, however, the
colour loses its obtrusiveness and we cease to take much notice of it.
The effect may be partly a physiological one, depending upon unequal
fatigue of the various perceptive nerves of the retina; but I believe that
it is to a large extent due to mental judgment. The standard of
whiteness, or colour-zero, can apparently be changed within certain limits
in a very short time, and, as we shall see later, this is only one of many
instances in which our organs of vision seem to be incapable of
recognising a constant standard of reference.
And now let us consider how it comes about that each elementary portion of
the retina--at least in its central region--has the power of
distinguishing so many hundreds of different hues. It is incredible that
every little area of microscopic dimensions should be furnished with such
a multitude of independent organs as would be necessary if each of the
many colours met with in nature required a separate organ for its
perception; and it is not necessary to suppose anything of the kind.
Public-domain text, read in full here on John Shaqi.
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