Fig. 7 shows another set of curves given more recently by Dr. König as the
result of many thousands of experiments made, not only upon persons whose
vision was normal, but also upon some who were colour-blind. König found
that the equations he obtained were best satisfied by assuming as the
normal fundamental sensations a purplish red (not to be found in the
spectrum), a green like that of wave-length 5050, and a blue like that of
wave-length 4700 approximately, the two latter, however, being purer or
more saturated than any actual spectrum colour. But König's curves are not
consistent with every class of vision which he examined, and the question
as to what are the true fundamental colour-sensations, if such really
exist at all, cannot yet be regarded as finally settled.[6]
The Young-Helmholtz theory of colour-vision, whether or not it is destined
in the future to be superseded by some other, has at all events proved an
invaluable guide in experimental work, and there are very few colour
phenomena of which it is not competent to offer a satisfactory
explanation. It has at present only one serious rival--the theory of
Hering, which, although it seems to be curiously attractive to many
physiologists, can hardly be said to present less serious difficulties
than that which it seeks to displace. Neither of these competing theories
has yet had its fundamental assumptions confirmed by any direct evidence,
and the advantage must rest with the one which best accords with the facts
of colour vision. In my judgment the older of the two is to be greatly
preferred as a useful working hypothesis.
Certain curiosities of vision with which I propose to deal in a future
chapter depend upon the properties of what are known as complementary
colours. Two colours are said to be complementary to each other when their
combination in proper proportions results in the formation of white.
[Illustration: _Fig. 8.--Stencil Card for Complementary Colours._]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account