The illness of my father was relieved, but not removed, by this change of life. Dr. Downman was his physician, whose only remedies were port wine, horse-exercise, rowing on the neighbouring river, and the distraction of agreeable society. This wise physician recognised the temperament of his patient, and perceived that his physical derangement was an effect instead of a cause. My father instead of being in a consumption, was endowed with a frame of almost super-human strength, and which was destined for half a century of continuous labour and sedentary life. The vital principle in him, indeed, was so strong that when he left us at eighty-two, it was only as the victim of a violent epidemic, against whose virulence he struggled with so much power, that it was clear, but for this casualty, he might have been spared to this world even for several years. I should think that this illness of his youth, and which, though of a fitful character, was of many years' duration, arose from his inability to direct to a satisfactory end the intellectual power which he was conscious of possessing. He would mention the ten years of his life, from twenty-five to thirty-five years of age, as a period very deficient in self-contentedness. The fact is, with a poetic temperament, he had been born in an age when the poetic faith of which he was a votary had fallen into decrepitude, and had become only a form with the public, not yet gifted with sufficient fervour to discover a new creed. He was a pupil of Pope and Boileau, yet both from his native impulse and from the glowing influence of Rousseau, he felt the necessity and desire of infusing into the verse of the day more passion than might resound from the frigid lyre of Mr. Hayley. My father had fancy, sensibility, and an exquisite taste, but he had not that rare creative power, which the blended and simultaneous influence of the individual organisation and the spirit of the age, reciprocally acting upon each other, can alone, perhaps, perfectly develope; the absence of which, at periods of transition, is so universally recognised and deplored, and yet which always, when it does arrive, captivates us, as it were, by surprise. How much there was of freshness, and fancy, and natural pathos in his mind, may be discerned in his Persian romance of "The Loves of Mejnoon and Leila." We who have been accustomed to the great poets of the nineteenth century seeking their best inspiration in the climate and manners of the East; who are familiar with the land of the Sun from the isles of Ionia to the vales of Cashmere; can scarcely appreciate the literary originality of a writer who, fifty years ago, dared to devise a real Eastern story, and seeking inspiration in the pages of Oriental literature, compose it with reference to the Eastern mind, and customs, and landscape. One must have been familiar with the Almorans and Hamets, the Visions of Mirza and the kings of Ethiopia, and the other dull and