The crisis arrived, when, after months of unusual abstraction and irritability, my father produced a poem. For the first time, my grandfather was seriously alarmed. The loss of one of his argosies, uninsured, could not have filled him with more blank dismay. His idea of a poet was formed from one of the prints of Hogarth hanging in his room, where an unfortunate wight in a garret was inditing an ode to riches, while dunned for his milk-score. Decisive measures were required to eradicate this evil, and to prevent future disgrace--so, as seems the custom when a person is in a scrape, it was resolved that my father should be sent abroad, where a new scene and a new language might divert his mind from the ignominious pursuit which so fatally attracted him. The unhappy poet was consigned like a bale of goods to my grandfather's correspondent at Amsterdam, who had instructions to place him at some collegium of repute in that city. Here were passed some years not without profit, though his tutor was a great impostor, very neglectful of his pupils, and both unable and disinclined to guide them in severe studies. This preceptor was a man of letters, though a wretched writer, with a good library, and a spirit inflamed with all the philosophy of the eighteenth century, then (1780-1) about to bring forth and bear its long-matured fruits. The intelligence and disposition of my father attracted his attention, and rather interested him. He taught his charge little, for he was himself generally occupied in writing bad odes, but he gave him free warren in his library, and before his pupil was fifteen, he had read the works of Voltaire and had dipped into Bayle. Strange that the characteristics of a writer so born and brought up should have been so essentially English; not merely from his mastery over our language, but from his keen and profound sympathy with all that concerned the literary and political history of our country at its most important epoch.