English literature -- History and criticism; Literature -- Anecdotes; Litterateurs
while he was pulling down hovels and cowhouses, to compose mottos and
inscriptions for garden-seats and urns; while he had so finely obscured
with a tender gloom the grove of Virgil, and thrown over, "in the midst
of a plantation of yew, a bridge of one arch, built of a dusty-coloured
stone, and simple even to rudeness,"[58] and invoked Oberon in some
Arcadian scene,
Where in cool grot and mossy cell
The tripping fauns and fairies dwell;
the solitary magician, who had raised all these wonders, was, in
reality, an unfortunate poet, the tenant of a dilapidated farm-house,
where the winds passed through, and the rains lodged, often taking
refuge in his own kitchen--
Far from all resort of mirth,
Save the cricket on the hearth!
In a letter[59] of the disconsolate founder of landscape gardening, our
author paints his situation with all its misery--lamenting that his
house is not fit to receive "polite friends, were they so disposed;" and
resolved to banish all others, he proceeds:
"But I make it a certain rule, 'arcere profanum vulgus.' Persons who
will despise you for the want of a good set of chairs, or an uncouth
fire-shovel, at the same time that they can't taste any excellence in a
mind that overlooks those things; with whom it is in vain that your mind
is furnished, if the walls are naked; indeed one loses much of one's
acquisitions in virtue by an hour's converse with such as judge of merit
by money--yet I am now and then impelled by the social passion to sit
half an hour in my kitchen."
But the solicitude of friends and the fate of Somerville, a neighbour
and a poet, often compelled Shenstone to start amidst his reveries; and
thus he has preserved his feelings and his irresolutions. Reflecting on
the death of Somerville, he writes--
"To be forced to drink himself into pains of the body, in order to get
rid of the pains of the mind, is a misery which I can well conceive,
because I may, without vanity, esteem myself his equal in point of
economy, and consequently ought to have an eye on his misfortunes--(as
you kindly hinted to me about twelve o'clock, at the Feathers.)--I
should retrench--I will--but you shall not see me--I will not let you
know that I took it in good part--I will do it at solitary times as I
may."
Such were the calamities of "great taste" with "little fortune;" but in
the case of Shenstone, these were combined with the other calamity of
"mediocrity of genius."
Public-domain text, read in full here on John Shaqi.
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