Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage Nations — John Shaqi
Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage NationsElson, Louis Charles
History
Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage Nations
Elson, Louis Charles
Music -- History and criticism
One little trace of their primitive music remains; on the occasion of
their New Year, a ram’s horn is blown, and between the blasts on this
excruciating instrument the following phrases are addressed to the
performer,—
_Tahkee-oo, Schivoorim, Taru-o._
These words, which also have a reverential meaning, may possibly at one
time have been addressed to the ancient musicians, to give to them the
order of the music. Strong presumptive proof that this blowing of the
trumpet is the same as it was in King David’s time is found in the fact
that it is blown in the same rhythm, by the Jews _all over the world_.
It certainly requires no forced interpretation to call the Ram’s horn
(Schofer) one of their early instruments, as it would be their most
natural signal-call both in peace and war.
In all the Jewish theocracy, the music naturally took a theosophical
character, and is seldom detached from religious rites; we shall find
the same spirit running through other of the ancient civilizations, even
barbarians seeming to share in the almost universal impulse to praise
the Deity with this art, and this should prove to supercilious critics
that however ill-sounding the music of other races may appear to our
ears, to _them_ it was a highly considered art, and as such, merits our
attention.
David may be regarded as the real founder of Hebrew music. He must have
possessed great skill even in his youth, as the instance of his being
able to soothe Saul’s crazed mind with his music, proves. This may be
regarded as one of the earliest notices of the effects of music in
mental disease. What the nature of his inventions and reforms in music
afterwards were, and how far he remodelled the style which had been
brought from Egypt, cannot now be known, as Jerusalem has been pillaged
nearly twenty times since his reign, and every monument, or inscription
which might solve the enigma, has long been destroyed.
There are still marks and inflections in the Hebrew Scriptures which are
evidently intended to show the style in which they were to be chanted.
Public-domain text, read in full here on John Shaqi.
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