Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage NationsElson, Louis Charles
History
Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage Nations
Elson, Louis Charles
Music -- History and criticism
We also give two extracts from the poems of that famous troubadour,
Bertrand De Born. He was a poet far more given to martial songs, than to
the lyrical muse. His enemies dreaded his pen as much as his sword. He
describes his belligerent qualities without any exaggeration, for he was
literally never contented except when at war with some of his neighbors.
One of his poems (addressed to a lady) begins smoothly enough, but
before he is half done, he breaks into an abrupt praise of fighting.
In the following, he warns Williams of Gordon, against Richard of
Poitou, and hurls invective at the latter.
“I love you well,” Bertrand says, “but my enemies want to make a fool
and a dupe of you, and the time seems long to them before they see you
in their ranks.” “To Perigeux, close to the wall, so that I can throw my
battle axe over it, I will come well armed, and riding on my horse,
Bayard; and if I find the glutton of Poitou[270] he shall know the cut
of my sword. A mixture of brain and splinters of iron he shall wear on
his brow.”
Here follows a frank avowal of his delight in war.
“All day long,” he says, “I fight, and am at work, to make a thrust at
them and defend myself, for they are laying waste my land, and burning
my crops; they pull up my trees by the roots, and mix my corn with the
straw. Cowards and brave men are my enemies. I constantly disunite and
sow hatred among the barons, and then remould and join them together
again, and try to give them brave hearts and strong; but I am a fool for
my trouble, for they are made of base metal.”
We cannot better take leave of the troubadours than by giving two
additional specimens of the writing of Bertrand de Born.
The first is an ingenious poem. He has quarreled with his lady, and as a
means of reconciliation he borrows from all the famous beauties of his
time, their special charm, and gives them all to his love. The second
song will explain itself.[271]
Domna, puois de mi no us cal,
E partit m’aretz de vos, &c.
Lady, since thou hast driven me forth,
Since thou, unkind, hast banished me,
(Though cause of such neglect be none,)
Where shall I turn from thee?
Ne’er can I see
Such joy as I have seen before,
If, as I fear, I find no more
Another fair, from thee removed,
I’ll sigh to think I e’er was loved.
And since my eager search were vain,
One lovely as thyself to find;
A heart so matchlessly endow’d,
Or manner so refined,
So gay, so kind,
So courteous, gentle, debonair,—
I’ll rove, and catch from every fair
Some winning grace and form a whole,
So glad (till thou return) my soul.
The roses of thy glowing cheek,
Fair Sembelis, I’ll steal from thee;
That lovely smiling look I’ll take,
Yet rich thou shalt be,
In whom we see
All that can deck a lady bright,
And your enchanting converse, light,
Fair Ellis, will I borrow too,
That she in wit may shine like you.
Public-domain text, read in full here on John Shaqi.
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