Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage NationsElson, Louis Charles
History
Curiosities of Music: A Collection of Facts not generally known, regarding the Music of Ancient and Savage Nations
Elson, Louis Charles
Music -- History and criticism
Footnotes 364
Index. 365
CURIOSITIES OF MUSIC.
CHAPTER I.
INTRODUCTION.
Music has been broadly defined by Fetis as “the art of moving the
feelings by combinations of sounds;” taken in this broad sense it may be
considered as coeval with the human race.
Vocal music, in a crude form, is as natural in man, to express feelings,
as it is for a cat to purr or a lion to roar; as regards instrumental
music, the primitive man might have found in every hollow tree a
reverberating drum, and in every conchshell or horn of cattle, the
natural beginnings of instrumental music; we shall find later that many
nations ascribe the discovery of their music to the accidental appliance
of some natural instrument; our surest guide in watching the rise of the
art, should be the manner in which savage peoples, yet in a state of
nature, produce music, and we shall find too, that even the lowest in
the scale, even those beings who make the monkey tribe nearer and dearer
to us, as possible relatives (the bushmen of Australia for example),
have still a method of “moving the feelings by means of combinations of
sounds.”
It is therefore, really in barbarous nations, that we may, reasoning by
analogy, find in what state music existed when our own ancestors were in
a state of nature; but in order to give a more chronological character
to our sketches we will begin with the _Music and Musical Mythology of
the Ancients_.
THE HINDOOS.
With this people, and the Egyptians we find proofs of the existence of a
musical system at a time which far antedates the earliest reliable
Scriptural records.
Among the Hindoos especially, as far back as history extends, music has
been treated not only as a fine art, but philosophically and
mathematically. According to the oldest Brahminical records, in their
all-embracing “Temple of Science,” it belongs to the 2d chief division
of Lesser Sciences, but its natural and philosophic elements, are, with
a nice distinction, admitted into their holiest and oldest book, the
_Veda_.[1] Of course it has a divine origin ascribed to it, in fact the
entire realm of Indian music is one tale of Mythology.
Public-domain text, read in full here on John Shaqi.
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