Experience shows that the human voice, under favourable circumstances, is capable of filling a larger space than was ever probably enclosed within the walls of a single room. Lieutenant Foster, on Parry’s third Arctic expedition, found that he could converse with a man across the harbour of Port Bowen, a distance of 6696 feet, or about one mile and a quarter. Dr. Young records that at Gibraltar the human voice has been heard at a distance of ten miles. If sound be prevented from spreading and losing itself in the air, either by a pipe or an extensive flat surface, as a wall or still water, it may be conveyed to a great distance. Biot heard a flute clearly through a tube of cast-iron (the water-pipes of Paris) 3120 feet long: the lowest whisper was distinctly heard; indeed, the only way not to be heard was not to speak at all. THE ROAR OF NIAGARA. The very nature of the sound of running water pronounces its origin to be the bursting of bubbles: the impact of water against water is a comparatively subordinate cause, and could never of itself occasion the murmur of a brook; whereas, in streams which Dr. Tyndall has examined, he, in all cases where a ripple was heard, discovered bubbles caused by the broken column of water. Now, were Niagara continuous, and without lateral vibration, it would be as silent as a cataract of ice. In all probability, it has its “contracted sections,” after passing which it is broken into detached masses, which, plunging successively upon the air-bladders formed by their precursors, suddenly liberate their contents, and thus create _the thunder of the waterfall_. FIGURES PRODUCED BY SOUND. Stretch a sheet of wet paper over the mouth of a glass tumbler which has a footstalk, and glue or paste the paper at the edges. When the paper is dry, strew dry sand thinly upon its surface. Place the tumbler on a table, and hold immediately above it, and parallel to the paper, a plate of glass, which you also strew with sand, having previously rubbed the edges smooth with emery powder. Draw a violin-bow along any part of the edges; and as the sand upon the glass is made to vibrate, it will form various figures, which will be accurately imitated by the sand upon the paper; or if a violin or flute be played within a few inches of the paper, they will cause the sand upon its surface to form regular lines and figures. THE TUNING-FORK A FLUTE-PLAYER.