“All this is the more remarkable, as in Buddhist books modesty of dress in women is frequently insisted upon. In the Dulva, for instance, a story is told of the King of Kalinga presenting to the King of Kosála (probably Padh), a piece of muslin, which afterwards fell into the hands of a lewd priestess. She, it is said, wore it in public, while it was so thin that she, notwithstanding this, appeared naked to the great scandal of all who witnessed the exhibition.[51] The probability is, that the story and the book that contains it are of very much more modern date than our sculptures. It certainly is in direct conflict with their evidence.” The want of shame in women, to which this exposure of the person bears witness, is always the mark and sign of inferior civilisation. The other race depicted in the sculptures has its distinctive characteristics. The male costume consists of a kilt,--not a cloth wrapped round the loins, but a kilt, shaped, sewn, and fastened by buckle or string;--and also of a cloak or tippet, which seems to be similarly shaped and sewn. As for the hair, it is twisted into a long rope or plait like a Chinaman’s, and then folded round the head in a conical form, or a piece of cloth or rope was treated in this way. The beard is worn, whereas no single individual of the Hindu race, either at Sanchi or Amravati, has any trace of beard or moustache; a circumstance the more remarkable, because, according to Nearchus, the Hindus dyed their beards with various colours, so that some were red, some white, some black, others purple, some green. The female dress differs from that of the Hindus even more than the male. A striped petticoat is gathered in at the knees so as to form a neat and modest garb, and a cloak or tippet like that of the men is thrown generally over one shoulder so as to leave one breast bare, but sometimes both are covered. The head-dress is a neat and elegant turban.