While we are unable to doubt that in the Zendavesta, as it has come down to us, may be traced the direct influence of the Hebrew creed, and that ideas and principles of a still later date were borrowed more or less closely from Christianity, we can as little doubt that Zarathustrianism had no inconsiderable effect on the Jewish popular belief. The Jewish prophets, after the Captivity, would seem to have adopted much of what may be called their poetic language and machinery from the writings of the Magian teachers. The Talmud contains unmistakable evidence of its indebtedness to the same source. The Angelology of the Jewish doctors originated, probably during the captivity of the Tribes in Babylonia, in the Magian superstitions; and it was then that the complete angelic hierarchy was evolved, with its seven great archangels corresponding to the seven Amchaspands of the Zendavesta. It was then that for the first time the Jewish popular creed recognised the existence of two antagonistic hosts of spiritual beings, arrayed against each other in everlasting battle. Then was developed the fancy of a guardian angel attending every individual to shelter him from the malignant hostility of his Dev or demon. So that much of the mythology which Milton employs so effectively in “Paradise Lost,” having borrowed it from the traditions and legends of the Hebrew race, came originally from the far East, and was invented by the followers of Zarathustra. The Miltonic and popular conception of Satan, so unlike the Biblical representation of the great Destroyer, was largely coloured from the Magian sketch of Ahriman, the Power of Darkness.