Curiosities of Superstition, and Sketches of Some Unrevealed ReligionsAdams, W. H. Davenport (William Henry Davenport)
Religion
Curiosities of Superstition, and Sketches of Some Unrevealed Religions
Adams, W. H. Davenport (William Henry Davenport)
Folklore; Religions; Superstition
Each woman, throwing one arm around her neighbour’s waist, keeps the other
free, and waves a plume-like chowni or yak’s tail, as she bows to the
Khuda. They do not all wave simultaneously, but in swift succession, so as
to produce the effect of a continuous graceful motion. If one of the women
retire, from fatigue, another slips into her place: sometimes the men form
the circle, then both men and women join, always carrying on the same
evolutions, the same circular motion. At nightfall the huge fires are
kindled, and the lurid gleams of pine-wood torches flicker athwart the
darkness, while the echoes ring incessantly with the monotonous clang of
great trumpet-shells and tomtoms.
When they have expended all their energies the revellers bring the
festival to a close, and each village-company bears back its
patron-goddess to her own little sanctuary.
Whether, as some surmise, this ceremony is associated with any tradition
of Noah’s Ark, we cannot pretend to determine. But it is certain that some
legends of the Flood still linger among the hillmen. There is a popular
myth which tells of a mighty ship built by Manu and the Seven Sages, in
which they stored the seed of all kinds of life, and of its being rescued
by Brahma when the Deluge overwhelmed the primitive earth. Brahma, it
says, drew the great vessel for many days until he reached a high peak of
the Himalayas, where he moored it securely. In memory whereof, the peak
has ever since borne the name of _Naubandhana_.
Mr. W. Simpson, who has seen much of India and the Indians, describes an
Ark-festival which he witnessed in a Himalayan valley. After indulging in
the usual ceremonial ablutions, the people of the district assembled at
the village of Coatee to do honour to its patron-goddess. The Khuda was
brought out, and with dance and music, conducted in noisy procession
through the deep shades of the forest and its lonesome glens, until they
reached a certain grove, in which a small temple was situated. The Khuda
was then deposited on the paved space in front; and an aged priest washed
all the brazen faces with mint leaves and water previous to offering up
incense, flowers, fruit, and bread.
Public-domain text, read in full here on John Shaqi.
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