The first of the purely Revolutionary plays presented in New York was,
probably, _Bunker Hill; or, the Death of General Warren_, and the work of
an Irishman, John D. Burke. It was played at the John Street Theatre in
1797; and it was followed the next year by William Dunlap's _Andre_, at
the Park. Mr. Brander Matthews, in his introduction to a reprint of
_Andre_, published by "The Dunlap Society," for private circulation among
its members, enumerates a number of plays written shortly after the
Revolution upon the subject of the capture and death of the British spy,
many of which, however, were never put upon the stage. Andre had been dead
less than twenty years when Dunlap's _Andre_ was first produced, in 1798,
and Arnold was still living; and, curiously enough, _The Glory of
Columbia_, also by Dunlap, in which Arnold and Andre both figured, was
played at the old South Street Theatre, Philadelphia, in 1807, with scenes
painted by Andre himself, who had superintended amateur theatricals at
that house, and had played upon that very stage.
After _Bunker Hill_ and _Andre_ came at different periods in New York _The
Battle of Lake Erie_; _The Battle of Eutaw Springs_; _A Tale of
Lexington_; _The Siege of Boston_; _The Siege of Yorktown_; _The
Seventy-Sixer_; _The Soldier of '76_; _Marion; or, The Hero of Lake
George_; _Washington at Valley Forge_; and many more of the same
stamp--all of which were popular enough during the first half-century of
our history, but during the last half they have entirely disappeared.
[Illustration: MAJOR ANDRE.--From a pen-and-ink sketch by himself.]
Public-domain text, read in full here on John Shaqi.
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