Only two modern plays of this character are worthy of serious attention
here--Augustin Daly's _Horizon_ and the _Davy Crockett_ of Frank E.
Murdoch. _Horizon_, one of Mr. Daly's earliest works, was produced at the
Olympic Theatre, March 22, 1871, and ran for two months. In the
advertisements it was called "a totally original drama, in five acts,
illustrative of a significant phase of New York society, and embodying the
varied scenes peculiar to American frontier life of the present day." It
was certainly an American play. In no other part of the world are its
characters and its incidents to be met with. Complications of plot and
scenery and certain surprises in the action were evidently aimed at by the
author rather than literary excellence. A panorama of a Western river and
a night surprise of an Indian band upon a company of United States troops
were well managed and very effective. The play was suggestive of Bret
Harte's sketches and of dime novels, with its gambler, its Heathen Chinee,
its roughs of "Rogues' Rest" its vigilance committee, its abandoned
wife, and its prairie princess. The Indian element did not predominate in
_Horizon_, and was not offensive. The part of Wannamucka, the
semi-civilized redskin, very well played by Charles Wheatleigh, was quite
an original conception of the traditional untutored savage; he was wild,
romantic, treacherous, but with a touch of dry humor about him that made
him attractive in the drama, if not according to the nature of his kind.
Panther Loder might have stepped out of the story of _The Outcasts of
Poker Flat_--one of those cool, desperate, utterly depraved, but
gentlemanly rascals whom Mr. Harte has painted so graphically, and whom
John K. Mortimer could represent so perfectly upon the stage. Mortimer,
during his long career, never did more artistic work than in this _role_.
The stars in _Horizon_ whose names on the bills appeared in the largest
type were Miss Agnes Ethel, the White Flower of the Plains, and George L.
Fox. The lady was gentle, charming, and very pretty in a part evidently
written to fit her; not so great as in _Frou Frou_, in which she made her
first hit, or as Agnes, which was to follow; but it was a pleasant,
creditable performance throughout. Poor Fox, as Sundown Bowse, the
Territorial Congressman, furnished the comic element in the piece; he was
humorous and not impossible--the first of the Bardwell Slotes and Colonel
Sellerses and Silas K. Woolcotts who are now the accepted stage-Yankees,
and who furnish most of the amusement in the modern American drama. Mr.
Fox has not been greatly surpassed by any of his successors in this line.
Miss Ada Harland as his daughter, Miss Lulu Prior as the royal Indian
maiden, Mrs. Yeamans as the Widow Mullins, and little Jennie Yeamans as
the captured pappoose all added to the popularity of the play. Taken as a
whole, _Horizon_ is the best native production of its kind seen here in
many years, with the single exception of _Davy Crockett_.
Public-domain text, read in full here on John Shaqi.
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