Unquestionably, Mr. Forrest's great success with _Metamora_, a prize drama
for which he paid its author, John Augustus Stone, five hundred dollars--a
large sum of money for such an effort half a century ago--was the secret
of the remarkable run upon Indian plays from which theatre-goers
throughout the country suffered between the years 1830 and 1840. Forrest,
even at that early period in his career, was the recognized leader of the
American stage, the founder of a peculiar school of acting, with a host of
imitators and followers. Metamora was one of his strongest and most
popular parts; its great effect upon his admirers is still vividly
remembered, and, naturally, other actors sought like glory and profit in
similar roles.
_Metamora; or, The Last of the Wampanoags_, was produced for the first
time on any stage at the Park Theatre, New York, December 15, 1829. Mr.
Forrest, Peter Richings, Thomas Placide, John Povey, Thomas Barry, Mrs.
Hilson (Ellen Augusta Johnson), and Mrs. Sharpe were in the original cast.
As Metamora Mr. Forrest appeared many hundreds of nights, and in almost
every city of the American Union. Wemyss, at the time of the first
production of the play in Philadelphia (January 22, 1830), wrote of him
and of _Metamora_ as follows: "The anxiety to see him crowded the theatre
[Arch Street] on each night of the performance, adding to his reputation
as an actor as well as to his private fortune as a man. It is a very
indifferent play, devoid of interest; but the character of Metamora is
beautifully conceived, and will continue to attract so long as Mr. E.
Forrest is its representative. It was written for him, and will in all
probability die with him." Mr. Wemyss's prophecy was certainly fulfilled.
No one after Mr. Forrest's death, with the single exception of John
McCullough, and he but seldom, had the hardihood to risk his reputation in
a part so well known as one of the best performances of the greatest of
American actors; and Metamora and Mr. Forrest have passed away together.
[Illustration: JOHN McCULOUGH.]
Public-domain text, read in full here on John Shaqi.
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