Curious Myths of the Middle AgesBaring-Gould, S. (Sabine)
History
Curious Myths of the Middle Ages
Baring-Gould, S. (Sabine)
Folklore; Legends -- History and criticism; Tales, Medieval
Produced by Marilynda Fraser-Cunliffe, Sam W. and the
Online Distributed Proofreading Team at http://www.pgdp.net
Transcriber's Note
Illustration captions in {brackets} have been added by the transcriber
for the convenience of the reader.
CURIOUS MYTHS
OF
THE MIDDLE AGES.
BY
S. BARING-GOULD, M.A.
BOSTON:
ROBERTS BROTHERS.
1867.
STEREOTYPED AT THE
BOSTON STEREOTYPE FOUNDRY,
No. 4 Spring Lane.
University Press: Welch, Bigelow, & Co.,
Cambridge.
[Illustration: POPE JOAN.
From Joh. Wolfii Lect. Memorab. (Lavingæ, 1600.)]
CONTENTS.
PAGE
The Wandering Jew 1
Prester John 30
The Divining Rod 54
The Seven Sleepers of Ephesus 92
William Tell 110
The Dog Gellert 132
Tailed Men 144
Antichrist and Pope Joan 160
The Man in the Moon 189
The Mountain of Venus 207
Fatality of Numbers 221
The Terrestrial Paradise 242
MEDIÆVAL MYTHS.
The Wandering Jew.
Who, that has looked on Gustave Doré's marvellous illustrations to
this wild legend, can forget the impression they made upon his
imagination?
I do not refer to the first illustration as striking, where the Jewish
shoemaker is refusing to suffer the cross-laden Savior to rest a
moment on his door-step, and is receiving with scornful lip the
judgment to wander restless till the Second Coming of that same
Redeemer. But I refer rather to the second, which represents the Jew,
after the lapse of ages, bowed beneath the burden of the curse, worn
with unrelieved toil, wearied with ceaseless travelling, trudging
onward at the last lights of evening, when a rayless night of
unabating rain is creeping on, along a sloppy path between dripping
bushes; and suddenly he comes over against a wayside crucifix, on
which the white glare of departing daylight falls, to throw it into
ghastly relief against the pitch-black rain-clouds. For a moment we
see the working of the miserable shoemaker's mind. We feel that he is
recalling the tragedy of the first Good Friday, and his head hangs
heavier on his breast, as he recalls the part he had taken in that
awful catastrophe.
Public-domain text, read in full here on John Shaqi.
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