Curious Myths of the Middle AgesBaring-Gould, S. (Sabine)
History
Curious Myths of the Middle Ages
Baring-Gould, S. (Sabine)
Folklore; Legends -- History and criticism; Tales, Medieval
Much may be said in favor of either supposition. His _exposé_ at Paris
tells heavily against him, but need not be regarded as conclusive
evidence of imposture throughout his career. If he really did possess
the powers he claimed, it is not to be supposed that these existed in
full vigor under all conditions; and Paris is a place most unsuitable
for testing them, built on artificial soil, and full of disturbing
influences of every description. It has been remarked with others who
used the rod, that their powers languished under excitement, and that
the faculties had to be in repose, the attention to be concentrated on
the subject of inquiry, or the action--nervous, magnetic, or
electrical, or what you will--was impeded.
Now, Paris, visited for the first time by a poor peasant, its
_salons_ open to him, dazzling him with their splendor, and the
novelty of finding himself in the midst of princes, dukes, marquises,
and their families, not only may have agitated the countryman to such
an extent as to deprive him of his peculiar faculty, but may have led
him into simulating what he felt had departed from him, at the moment
when he was under the eyes of the grandees of the Court. We have
analogous cases in Bleton and Angelique Cottin. The former was a
hydroscope, who fell into convulsions whenever he passed over running
water. This peculiarity was noticed in him when a child of seven years
old. When brought to Paris, he failed signally to detect the presence
of water conveyed underground by pipes and conduits, but he pretended
to feel the influence of water where there certainly was none.
Angelique Cottin was a poor girl, highly charged with electricity. Any
one touching her received a violent shock; one medical gentleman,
having seated her on his knee, was knocked clean out of his chair by
the electric fluid, which thus exhibited its sense of propriety. But
the electric condition of Angelique became feebler as she approached
Paris, and failed her altogether in the capital.
I believe that the imagination is the principal motive force in those
who use the divining rod; but whether it is so solely, I am unable to
decide. The powers of nature are so mysterious and inscrutable that we
must be cautious in limiting them, under abnormal conditions, to the
ordinary laws of experience.
[Illustration: {How to hold a divining rod.}]
Public-domain text, read in full here on John Shaqi.
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