Folklore; Manners and customs; Mythology; Religion
They take a certaine portion of the most fruitefull of the Mays that
growes in their farmes, the which they put in a certaine granary which
they do calle Pirua, with certaine ceremonies, watching three nightes;
they put this Mays in the richest garments they have, and, being thus
wrapped and dressed, they worship this Pirua, and hold it in great
veneration, saying it is the Mother of the Mays of their inheritances,
and that by this means the Mays augments and is preserved. In this
moneth they make a particular sacrifice, and the witches demand of
this Pirua, 'if it hath strength sufficient to continue until the next
yeare,' and if it answers 'no,' then they carry this Mays to the farme
to burne, whence they brought it, according to every man's power, then
they make another Pirua, with the same ceremonies, saying that they
renue it, to the ende that the seede of the Mays may not perish.
The idea that the maize can speak need not surprise us; the Mexican held
much the same belief, according to Sahagun:--
It was thought that if some grains of maize fell on the ground, he who
saw them lying there was bound to lift them, wherein, if he failed, he
harmed the maize, which plained itself of him to God, saying, 'Lord,
punish this man, who saw me fallen and raised me not again; punish him
with famine, that he may learn not to hold me in dishonour.'
Well, in all this affair of the Scotch kernababy, and the Peruvian Mama
cora, we need no explanation beyond the common simple ideas of human
nature. We are not obliged to hold, either that the Peruvians and Scotch
are akin by blood, nor that, at some forgotten time, they met each other,
and borrowed each other's superstitions. Again, when we find Odysseus
sacrificing a black sheep to the dead, {20} and when we read that the
Ovahereroes in South Africa also appease with a black sheep the spirits
of the departed, we do not feel it necessary to hint that the Ovahereroes
are of Greek descent, or have borrowed their ritual from the Greeks. The
connection between the colour black, and mourning for the dead, is
natural and almost universal.
Public-domain text, read in full here on John Shaqi.
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