True to his promise, he had a squad of carpenters busy, on the
day following his arrival, tearing down the loathed piazza. These
carpenters, and more, were kept busy throughout that entire spring
and well into the summer. Then came painters and gardeners. The piazza
disappeared; a new picket fence, exactly like the old one torn down by
the Howeses, was erected; new shutters were hung; new windowpanes were
set; the roof was newly shingled. Captain Cy, Senior, had, in his day,
cherished a New England fondness for white and green paint; therefore
the new fence was white and the house was white and the blinds a
brilliant green. Rows of box hedge, the plants brought from Boston, were
set out on each side of the front walk. The Howes front-door bell--a
clamorous gong--was removed, and a glass knob attached to a spring bell
of the old-fashioned “jingle” variety took its place. An old-fashioned
flower garden--Cap'n Cy's mother had loved posies--was laid out on
the west lawn beyond the pear trees. All these changes the captain
superintended; when they were complete he turned his attention to
interior decoration.
And now Captain Cy proceeded to, literally, astonish the natives. Among
the Howes “improvements” were gilt wall papers and modern furniture for
the lower floor of the house. The furniture they had taken with them;
the wall paper had perforce been left behind. And the captain had every
scrap of that paper stripped from the walls, and the latter re-covered
with quaint, ugly, old-fashioned patterns, stripes and roses and
flowered sprays with impossible birds flitting among them. The Bassett
decorators has pasted the gilt improvement over the old Whittaker paper,
and it was the Whittaker paper that the captain did his best to match,
sending samples here, there, and everywhere in the effort. Then, upon
the walls he hung old-fashioned pictures, such as Bayport dwellers had
long ago relegated to their attics, pictures like “From Shore to Shore,”
“Christian Viewing the City Beautiful,” and “Signing the Declaration.”
To these he added, bringing them from the crowded garret of the
homestead, oil paintings of ships commanded by his father and
grandfather, and family portraits, executed--which is a peculiarly
fitting word--by deceased local artists in oil and crayon.
Public-domain text, read in full here on John Shaqi.
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