Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriages — John Shaqi
Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriagesScott, Robert P. (Robert Pittis)
History
Cycling art, energy, and locomotion : $b A series of remarks on the development of bicycles, tricycles, and man-motor carriages
Scott, Robert P. (Robert Pittis)
Bicycles; Cycling; Tricycles
The manner in which the construction and general arrangement of the
driving mechanism, the road surface, and other conditions control the
application of power is a curious study. In connection with it I have
made an instrument to illustrate the same graphically, which, for the
sake of a name, we will call the “Cyclograph,” an engraving of which
will be found below.
[Illustration: The Cyclograph.]
A frame, _A A_, is provided with means to attach it to the pedal
of any machine. A table, _B_, supported by springs, _E_, _E_, has
a vertical movement through the frame _A A_, and carries a marker,
_C_. The frame carries a drum, _D_, containing within it mechanism
which causes it to revolve regularly upon its axis. The cylindrical
surface of this drum, _D_, is wrapped with a slip of registering paper
removable at will. When we wish to take the total foot-pressure, the
cyclograph is placed upon the pedal and the foot upon the table. The
drum having been wound and supplied with the registering slip, and the
marker _C_ with a pencil bearing against the slip, we are ready to
throw the trigger and start the drum, by means of a string attached
to the trigger, which is held by the rider so that he can start the
apparatus at just such time as he desires a record of the pressure.
The following are a few sample sections cut from registering slips
illustrating some of the points discovered in these experiments. Only
a few strokes of the crank or lever can be shown; it is evident that
great space and expense of reproduction would be required to give the
entire record for even a small part of a mile. It will be understood, I
think, without further explanation, that these curves show the extent
and variation of pressure of the foot upon the pedal in order to drive
the respective machines under circumstances named and described by the
figures and thereafter.
[Illustration: 52-inch Ordinary; race-track; getting up steam.]
[Illustration: 52-inch Ordinary; race-track; speed, eighteen miles per
hour.]
[Illustration: 52-inch Ordinary; race-track; speed, ten miles per hour.]
[Illustration: 52-inch Ordinary; race-track; speed, ten miles per hour.]
[Illustration: 52-inch Ordinary; up hill, grade, one foot in
twenty-five; speed, about eight miles per hour.]
[Illustration: 52-inch Ordinary; starting up hill.]
[Illustration: 52-inch Ordinary; up hill, grade, one foot in ten;
stalled at four miles per hour.]
[Illustration: 52-inch Ordinary; up hill, grade, one foot in
twenty-five; curves of both pedals superposed.]
[Illustration: 52-inch Ordinary; back pedal; down hill, grade, one
foot in twelve.]
[Illustration: Rear-driver Rover type, 54-gear; up hill, grade, one
foot in twenty; speed, nine miles per hour.]
[Illustration: Rear-driver Rover type, 54-gear; up hill, grade, one
foot in twenty; continuation of No. 10.]
[Illustration: Rear-driver Rover type, 54-gear; up hill, grade, one
foot in seven; speed, ten miles per hour.]
Public-domain text, read in full here on John Shaqi.
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