Cynthia's Revels; Or, The Fountain of Self-LoveJonson, Ben
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Cynthia's Revels; Or, The Fountain of Self-Love
Jonson, Ben
English drama (Comedy); English drama -- 17th century
AMOR. I am a rhinoceros, if I had thought a creature of her
symmetry would have dared so improportionable and abrupt a
digression.--Liberal and divine fount, suffer my profane hand to
take of thy bounties. [TAKES UP SOME OF THE WATER.] By the purity
of my taste, here is most ambrosiac water; I will sup of it again.
By thy favour, sweet fount. See, the water, a more running,
subtile, and humorous nymph than she permits me to touch, and
handle her. What should I infer? if my behaviours had been of a
cheap or customary garb; my accent or phrase vulgar; my garments
trite; my countenance illiterate, or unpractised in the encounter
of a beautiful and brave attired piece; then I might, with some
change of colour, have suspected my faculties: But, knowing myself
an essence so sublimated and refined by travel; of so studied and
well exercised a gesture; so alone in fashion, able to render the
face of any statesman living; and to speak the mere extraction of
language, one that hath now made the sixth return upon venture; and
was your first that ever enrich'd his country with the true laws of
the duello; whose optics have drunk the spirit of beauty in some
eight score and eighteen prince's courts, where I have resided, and
been there fortunate in the amours of three hundred and forty and five
ladies, all nobly, if not princely descended; whose names I have in
catalogue: To conclude, in all so happy, as even admiration
herself doth seem to fasten her kisses upon me:--certes, I do
neither see, nor feel, nor taste, nor savour the least steam or
fume of a reason, that should invite this foolish, fastidious
nymph, so peevishly to abandon me. Well, let the memory of her
fleet into air; my thoughts and I am for this other element, water.
ENTER CRITES AND ASOTUS.
CRI. What, the well dieted Amorphus become a water-drinker! I see
he means not to write verses then.
ASO. No, Crites! why?
CRI. Because--
Nulla placere diu, nec vivere carmina possunt,
Quae scribuntur aquae potoribus.
AMO. What say you to your Helicon?
CRI. O, the Muses' well! that's ever excepted.
AMO. Sir, your Muses have no such water, I assure you; your
nectar, or the juice of your nepenthe, is nothing to it; 'tis above
your metheglin, believe it.
ASO. Metheglin; what's that, sir? may I be so audacious to
demand?
AMO. A kind of Greek wine I have met with, sir, in my travels; it
is the same that Demosthenes usually drunk, in the composure of all
his exquisite and mellifluous orations.
CRI. That's to be argued, Amorphus, if we may credit Lucian, who,
in his "Encomio Demosthenis," affirms, he never drunk but water in
any of his compositions.
AMO. Lucian is absurd, he knew nothing: I will believe mine own
travels before all the Lucians of Europe. He doth feed you with
fittons, figments, and leasings.
Public-domain text, read in full here on John Shaqi.
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