Artists -- Juvenile fiction; France -- Juvenile fiction; Voyages and travels -- Juvenile fiction; Young women -- Juvenile fiction
Cynthia painted that morning with a wretched feeling of responsibility.
“I could get them a new clock,” she told herself, “but it wouldn’t be
the same.” She had chosen a spot down the main road, where two small
stone, white-washed houses, overgrown with rambling roses, were as
theatrically picturesque as a scene from the Follies. But the sketch
was not very satisfactory. “It’s not my kind of thing,” she fretted.
“It’s fun to do, but I’d rather paint people. Wonder where my little
friend of yesterday is. She must live in one of those houses. ...”
A team of oxen plodded slowly down the dusty road, brilliantly golden
beneath the shadow of the blue dyed sheepskin that lay atop their heavy
yoke, their eyes hidden behind a heavy fringe of bright colored net.
Their driver walked ahead, his _makhila_ over his shoulder rested on
the yoke to guide the animals.
Cynthia listened to the soft jangle of bells till it died in the
distance, then decided she was hungry; that was what must be wrong with
her sketch, and packed up her materials. The Marges never ate lunch.
Cynthia had discovered that a continental breakfast did not sustain one
very well from eight A.M. till five in the afternoon, and after two
days of semi-starvation had persuaded Madame to give her a cold meal
at noon. Today there was sliced duckling and a pleasant salad set on
the red checked table cloth beneath the sun spangled arbor.
She finished her raspberries, with the thick pat of rich sour cream
and the crust of warm bread and idly watched M. Marge talking to
someone beyond the beehives. It looked like the old man in the Yturbe
household, Thomasina’s grandfather. Cynthia wondered at that, for she
knew the two men were not close friends. “I wish I could get that child
to paint,” she thought idly, remembering the small eager face of the
day before.
M. Marge came slowly and alone up the stone flagged walk and sat down
on the step beside Cynthia’s luncheon table.
“There must be gypsies here,” he stated, “For Thomasina has been
stolen.”
“Thomasina!” cried Cynthia, aghast. “How perfectly dreadful!” and
felt her throat tighten. For a moment she could not speak for fear of
bursting into tears. Little Thomasina! “When ... how long?” she asked
after a moment.
“Perhaps not stolen ... perhaps. ... But she has been gone since early
this morning. It is two now. She did not come home for her noon meal.
Her grandfather came to ask if we had seen her. She has never gone from
the dooryard before, not until yesterday when she came here. Her father
thinks she may have strayed down the road and met someone; she was very
unhappy over a little thrush they had, which died. She may have been
looking for him.”
Cynthia knew those little thrushes in their willow cages which hung
outside so many French doorways.
“They are afraid of the canal, and the mill-pond.”
Public-domain text, read in full here on John Shaqi.
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