Artists -- Juvenile fiction; France -- Juvenile fiction; Voyages and travels -- Juvenile fiction; Young women -- Juvenile fiction
“He has come to thank the American lady,” explained M. Marge after
a moment’s conversation and added that he had told M. Yturbe that
Thomasina was to keep the clock for herself. “After all, we have no
grandchildren ourselves.” And a moment later he translated again, “He
asks if the American lady will do him a portrait of his little one; he
will of course be proud to pay for it.”
“I’d adore it,” cried Cynthia, “Oh, what a day!”
The men moved off together, talking. Cynthia saw them cross the road
slowly, two old men together.
Madame, chuckling richly, made one of her rare remarks in English:
“They not be back till late.” But she seemed more pleased than
concerned.
“I guess that means M. Marge has become all Basque at last,” thought
Cynthia sleepily.
CHAPTER 6
_Carcassonne_
ROMANCE IN CARCASSONNE
Cynthia had long ago learned how to say in French “Stand still. Turn
a little to the right ... to the left. Raise the chin please.” And
finally and most urgent, again “stand still!” One needed these phrases
constantly in the one language the model understood. She had had
occasion to use them all, and more besides, this afternoon, for the
ragged little urchin, posing against a background of old stone house
and carved fourteenth century doorway, was an imp, though a delightful
one, and had far too large a circle of friends vitally interested in
what he was doing. Cynthia glanced up from her painting and for the
twentieth time in ten minutes sighed in exasperation.
Every small child’s head, including of course the model’s, had turned
to watch the small group crossing the square. It was just the usual
collection of American tourists; every child in the city must have
seen their like hundreds of times, herded by the Carcassonne guide--an
old _mutilé_ of the Great War. Cynthia herself had twice been round the
wonderful old walls with him, so she knew quite well what the others
were about to hear; of the ancient old towers, fifty of them, and the
ramparts dating back and back to the tenth century, the foundations
older even than that, for the Romans had held a fortress here; of the
lovely little cathedral of Saint Nazaire, set like a jewel in the heart
of the town; all these and more would the visiting Americans see. The
small model and his friends must know by heart every syllable of the
guide’s lecture, every stone of the city by now. So why need they turn,
like a group of little monkeys, just because someone had crossed the
square!
“Oh _do_ sit still!” she muttered crossly in French.
The sketch was a good one, the best she had made this week. Now if she
could get just the right hue of the shadow on his shoulder. ...
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account