Cynthia: With an Introduction by Maurice Hewlett — John Shaqi
Cynthia: With an Introduction by Maurice HewlettMerrick, Leonard
General
Cynthia: With an Introduction by Maurice Hewlett
Merrick, Leonard
England -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction; Novelists -- Fiction
CYNTHIA
By
LEONARD MERRICK
WITH AN INTRODUCTION BY
MAURICE HEWLETT
NEW YORK
E.P. DUTTON AND COMPANY
1919
INTRODUCTION
My first acquaintance with Mr. Merrick's engaging and stimulating
muse was made in the pages of _Violet Moses_, an early work, which
appeared, I remember, in three volumes. Reading it again in the light
of my appreciation of what its author has done since, I think of it
now as I felt of it then. It has great promise, and though its texture
is slight its fibres are of steel. It shows the light hand, which has
grown no heavier, though it has grown surer, the little effervescence
of cynicism, with never a hiccough in it, the underlying, deeply-funded
sympathy with real things, great things and fine things, and the
seriousness of aim which, tantalisingly, stops short just where you
want it to go on, and provokes the reader to get every book of Mr.
Merrick's as it appears, just to see him let himself go--which he never
does. He is one of the most discreet dissectors of the human heart we
have.
In _Violet Moses_ Mr. Merrick avoided the great issue after coming
up against it more than once. So did he in The Quaint Companions, a
maturer but less ambitious study. I don't know why he avoided it in
_Violet's_ case, unless it was because he found it too big a matter for
his light battery. In the _Companions'_ case I do know. It was because
he came upon another problem which interested him more, a problem with
a sentimental attraction far more potent than any he could have got out
of miscegenation. The result was the growth, out of a rather ugly root,
of a charming and tender idyll of two poets, an idyll, nevertheless,
with a psychological _crux_ involved in its delicate tracery. All this
seems a long way from _Cynthia_, which is my immediate business, but
is not so in truth. In _Cynthia_ (which, I believe, followed _Violet_)
you have a problem of psychology laid out before you, and again Mr.
Merrick does not, I think, fairly tackle it. But he fails to tackle
it, not because it is too big for his guns, as _Violet's_ was, and not
because he finds another which he likes better, as he did when he was
upon _The Companions_, but because, I am going to suggest, he found it
too small. He took up his positions, opened his attack, and the enemy
in his trenches dissolved in mist.
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