Cynthia: With an Introduction by Maurice Hewlett — John Shaqi
Cynthia: With an Introduction by Maurice HewlettMerrick, Leonard
General
Cynthia: With an Introduction by Maurice Hewlett
Merrick, Leonard
England -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction; Novelists -- Fiction
"They're entitled to the consideration due to a certain amount of money
sunk--eh? That's really it. There are thousands upon thousands of
families in the upper middle classes of England to whom fiction will
never be an art, because the novelist hasn't been to an academy and
paid fees. As a matter of fact, it is only in artistic and professional
circles that a novelist in England is regarded with any other feeling
than good-humoured contempt, unless he's publicly known to be making
a large income. The commercial majority smile at him. They've a
shibboleth--I'm sure it's familiar to you: 'You can't improve your
mind by reading novels.' They're persuaded it's true. They have heard
it ever since they were children, in these families where no artist,
no professional man of any kind, has ever let in a little light.
'You can't improve your mind by reading novels' is one of the stock
phrases of middle-class English Philistia. Ask them if they improve
their minds by looking at pictures in the National Gallery, or even
at the Academy, and they know it is essential that they should answer,
'Certainly.' Ask them how they do it, and they are 'done.' Of course,
they don't really improve their minds either way, because, before the
contemplation of art in any form can be anything more than a vague
amusement, a very much higher standard of education than they have
reached is necessary; only they have learnt to pretend about pictures.
It's an odd thing--or, perhaps, a natural one--that an author of the
sort of book that they are impressed by, a scientist, a brain-worker of
any description, literary or not, talks and thinks of a novelist with
respect, while these people themselves find him beneath them."
There was a silence, in which both stared again at the sea. His
irritation subsiding, it occurred to him that he might have expressed
his opinions less freely, considering that Philistia was his wife's
birthplace. He was beginning to excuse himself, when she interrupted
him.
"Don't let us discuss it any more, Humphrey," she said, in a grieved
voice, "please! I am sorry I said so much."
"_I_ was wrong," said Kent; "I have vexed you."
"No; I am not vexed," she replied, in a tone that intimated she was
only hurt.
"Cynthia, don't be angry!... Make it up!"
Public-domain text, read in full here on John Shaqi.
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