Cynthia: With an Introduction by Maurice Hewlett — John Shaqi
Cynthia: With an Introduction by Maurice HewlettMerrick, Leonard
General
Cynthia: With an Introduction by Maurice Hewlett
Merrick, Leonard
England -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction; Novelists -- Fiction
sub-editing _The Outpost_, a hybrid weekly for which he wrote a little
of what he thought and much that he disapproved, in consideration of
a modest salary. The difference in their years was not too great to
preclude confidences. An intimacy grew between the pair over their
evening pipes in the arid enclosure to which the landlady's key gave
them access; and it was transplanted to joint quarters embellished
with their several possessions, chiefly portmanteaus and photographs,
equally battered. The elder man, perceiving that there was distinction
in the unsuccessful stories displayed to him, imparted a good deal
of desultory advice, of which the most effectual part was not the
assurance that the literary temperament was an affliction, and
authorship a synonym for despair. The younger listened, sighed, and
burned. Aching to be famous, and fettered to a clerk's stool, he tugged
at his chains. He had begun to doubt his force to burst them, when
he was apprised, to his unspeakable amazement, that a maternal aunt,
whom he had not seen since he was a school-boy, had bequeathed him a
thousand pounds.
Dieppe had dined, and the Grande Rue was astir. He watched the
passers-by with interest. In the elation of his success he was equal
to tackling another novel on the morrow, and he saw material in
everything: in the chattering party of American girls running across
the road to eat more ices at the pastrycook's; in the coquettish
dealer in rosaries and Lives of the Saints, who had put up her shutters
for the night and was bound for the Opera; in the little boy-soldiers
from the barracks, swaggering everywhere in uniforms several sizes too
big for them. Sentences from the reviews that he was still receiving
bubbled through his consciousness deliciously, and he wished, swelling
with gratitude, that the men who wrote them were beside him, that he
might be introduced, and grip their hands, and try to express the
inexpressible in words.
"I should like to live here, Turk," he remarked: "the atmosphere is
right. It's suggestive, stimulating. When I see a peasant leaning out
of a window in France, I want to write verses about her; when I see the
same thing at home, I only notice she's dirty."
"Ah!" said Turquand, "that's another reason why you had better go back
with me to-morrow. The tendency to write verses leads to the casual
ward. Let us go and watch the Insolent Opulence losing its francs."
The Casino was beginning to refill, and the path and lawn were gay
with the flutter of toilettes when they reached the gates. Two of the
figures approaching the rooms were familiar to the novelist, and he
discovered their presence with a distinct shock, though his gaze had
been scanning the crowd in search of them.
"There are the Walfords," he said.
Public-domain text, read in full here on John Shaqi.
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