Adultery -- Fiction; Cuba -- Fiction; Runaway husbands -- Fiction
“I didn't have time to notice. Do you think it's true about her getting
all that money? It looks almost wicked to me, with so many people
needing just a little. But anybody could see that she thinks only of
herself; I don't mean she isn't charitable, but in--in other ways.”
They were late, and the main floor was being emptied of a small crowd
moving into the dining-room. There the long table of the club dinner
reached from end wall to wall; and, with the scraping of chairs, a
confusion of voices, the places were filled. Lee found himself between
Bemis Fox, a younger girl familiar enough at the dances but whose
presence had only just been recognized, and Mrs. Craddock, in Eastlake
for the winter. Anette was across the board, and her lips formed the
query, “The first dance?”
Lee Randon nodded; he was measurably fond of her; he usually enjoyed a
party at which he found Anette. That she liked him was very evident; not
desperately, but enough to dispose of most restraint; she repeated to
Lee what stories, formal and informal, men told her, and she asked his
advice about situations always intimate and interesting.
The flood of voices, sustained on cocktails, rose and fell, there
were challenges down the length of the table and quickly exchanged
confidences. Bemis, publicly ingenuous, laid a light eager hand on his
arm, and Mrs. Craddock answered a question in a decided manner. The
dinner, Lee saw, was wholly characteristic of the club and its members:
they had all, practically, known each other for years, since childhood;
meeting casually on the street, in the discharge of a common living,
their greetings and conversation were based on mutual long familiarity
and recognized facts; but here, at such dances, they put on, together
with the appropriate dress, a totally other aspect.
An artificial and exotic air enveloped whatever they did and said--hardy
perennials, Lee thought, in terms Fanny's rather than his, they were
determined to transform themselves into the delicate and rare flowers
of a conservatory. Women to whom giggling was an anomaly giggled
persistently; others, the perfect forms of housewife and virtue, seemed
intent on creating the opposite engaging impression; they were all
seriously, desperately, addressed to a necessity of being as different
from their actual useful fates as possible.
Public-domain text, read in full here on John Shaqi.
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