Adultery -- Fiction; Cuba -- Fiction; Runaway husbands -- Fiction
He made a calculation of how much time a practising lawyer saw his wife:
certainly he was out of the house before nine--Lee knew lawyers who were
in their offices at seven-thirty--and he was hardly back until after
five. Nine hours absent daily through the week; and it was probable that
he was in bed by eleven, up at seven--seven hours' sleep; of the eight
hours left in twenty-four half if not two-thirds of the Sundays and
some part of the others were devoted to a recreation; and this took no
account of the briefcases brought home, the thought and contributary
preoccupations.
More than that, his mind, his hopes and planning, were constantly
directed toward his legal concerns; the wife of such a man filled about
the position of his golf or billiards. Lee Randon had never analyzed
this before, and the result amazed him. With younger men, of course, it
was different; they had more time and interest for their homes, their
wives and children. Everything constantly shifted, changed, perished;
all, that was, but the unintelligible spurring need beyond any
accomplishment.
In him it was almost as though there were--or, perhaps, had been--two
distinct, opposed processes of thought, two different personalities, a
fact still admirably illustrated by his private interest in the doll,
in Cytherea. Much younger he had been fond of music, of opera and then
symphony concerts, and his university years had been devoted to a wide
indiscriminate reading: sitting until morning with college men of poetic
tendencies, he had discussed the intricacies of conduct in the light of
beauty rather than prudence. This followed him shyly into the world,
the offices of the Magnolia Iron Works; where, he had told himself
optimistically, he was but finding a temporary competence. What, when
he should be free to follow his inclination, he'd do, Lee never
particularized; it was in the clouds nebulous and bright, and
accompanied by music. His dream left him imperceptibly, its vagueness
killed partly by the superior reality of pig iron and ore and partly
because he never had anyone with whom to talk it over; he could find no
sympathy to keep it alive.
That it wasn't very robust was evident; and yet, throughout his youth,
it had been his main source of incentive. No one, in the Magnolia works,
knew the difference between the Glucks, Alma and Christopher, nor read
anything but the most current of magazines. At intervals Lee had found
a woman who responded to the inner side of him, and together they swept
into an aesthetic emotional debauch; but they came inevitably, in the
surrounding ugliness of thought and ascribed motives, to humiliating
and ugly ends; and he drifted with increasing rapidity to his present
financial and material sanity.
Public-domain text, read in full here on John Shaqi.
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