Smith made another note, then drummed his fingers on his desk top. The
four of them sat in silence. Westervelt hoped that the others were
engaged in more productive thoughts than his own. It was nice to have
their attention, and get the reputation of a bright young man who came
up with suggestions; but when they decided upon some reasonable course
of action they might remember him for making a foolish remark.
"Willie," said Smith, coming to a decision, "circulate around and ask
the others if they can stick it out a couple of hours tonight. Maybe
there's time to pry some useful information out of Trident, and at
least get something started before we close down. If I know some guy
out in space is working on it, I can sleep anyway."
Westervelt left his place by the window and went into the outer office.
He told Simonetta and Beryl. The latter acted less than thrilled.
Westervelt wondered jealously what kind of date she had scheduled for
the evening. He stopped at the window of the switchboard cubbyhole.
"Oh, it's you, Willie!" exclaimed Pauline.
"Yeah, you can turn on the projector again," he grinned. "What is it, a
love movie?"
Pauline edged a small tape projector out from behind the side of her
board.
"It's homework, if you have to know," she told him.
"That's right, you still go to college," Westervelt recalled. "Why
don't you switch to alien psychology? Then you could qualify for office
manager around here."
"When do we have alien visitors here? Once in a ringed moon!"
"Who is to say which are the aliens?" said Westervelt. "There are days
when I think I could feel more understanding to something with twelve
tentacles and a tank of chlorine than to a lot of the mentalities that
get loose right in this office. There's a crash program on for the
evening, by the way, and Smitty wants the staff to hang on a while."
A look of dismay flashed over Pauline's youthful features.
"I know; you have a class tonight," Westervelt deduced. "Chuck it all.
Stay in the file room with Mr. Parrish and you'll learn twice as much."
Pauline offered to throw the projector at him, but laughed. Westervelt
told her that no one would miss her if she connected a few of the main
office phones to outside lines and hooked up the communications room
with Smith's desk.
He left her wondering if she ought to stay anyhow, and headed for the
hall. Halfway along to the communications room, he heard the elevator
doors open and close. He stopped and looked back.
Around the corner strolled one of the TV men, Joe Rosenkrantz.
Westervelt looked at his watch and realized that it was a shift change
for the communications personnel, who kept touch with the universe
twenty-four hours a day.
Public-domain text, read in full here on John Shaqi.
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