D'Eon de Beaumont, his life and times : $b Compiled chiefly from unpublished papers and lettersHomberg, Octave
History
D'Eon de Beaumont, his life and times : $b Compiled chiefly from unpublished papers and letters
Homberg, Octave
Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée d', 1728-1810
In that case the honour of having obtained official recognition for
Douglas at St. Petersburg must be ascribed to another; but it will
be seen that d’Eon undertook and conducted to a successful issue
negotiations of so delicate a nature that no one can be said to suffer
by comparison with him. The clever intermediary of the reconcilement
of Louis XV. and Elizabeth appears to have been simply a worthy French
merchant of St. Petersburg, called Michel, the care of whose own
affairs did not prevent him from applying himself with as much ability
as disinterestedness to those of his country. This Michel, a native of
Rouen, was often obliged, in the course of business, to travel all the
way from St. Petersburg to the town of his birth, and had already, in
1753, carried a private message to Versailles from the Empress, in which
she expressed herself willing to forget the offensive behaviour of La
Chétardie and to renew friendly relations with a monarch in whom she had
never ceased to take great interest.
Regard for a policy directed at that time against Russia had prevented
Louis XV. from responding to these first overtures. Elizabeth did not
risk a second rebuff; but she let it be understood that her personal
sentiments had not changed. According to La Messelière, afterwards
secretary of embassy in Russia to the Marquis de L’Hospital, a
miniature-painter named Sompsoy, who was reproducing the Czarina’s
features, learnt from her positive proof of her friendly sentiments. When
he assured her, in the course of a sitting, that Louis XV., as well as
his subjects, revered the name of Elizabeth he was rewarded by “a smile
of which he caught the expression, and which made the success of the
portrait.” La Messelière adds that the Empress, having thought the matter
over, gave the artist “more sittings than he required for the painting,”
and concluded by charging him to inform the King that French gentlemen
might count on a warm reception at her court. Sompsoy discharged the
commission faithfully, but it was thought undesirable to entrust him with
the reply, for it would have necessitated at the same time the disclosure
both of the King’s secret correspondence and of the Prince de Conti’s
projects. It was agreed, therefore, that he should remain in Paris, and
Douglas be sent to Russia in his place.
Public-domain text, read in full here on John Shaqi.
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